Severe Mercy


This song has been my obsession this past couple of weeks as I round out my first semester in seminary.  I hope it stirs you as well.

The Cut by Jason Gray

My heart is laid
Under Your blade
As you carve out Your image in me
You cut to the core
But still you want more
As you carefully, tenderly ravage me

And You peel back the bark
And tear me apart
To get to the heart
Of what matters most
I’m cold and I’m scared
As your love lays me bare
But in the shaping of my soul
They say the cut makes me whole

Mingling here
Your blood and my tears
As You whittle my kingdom away
But I see that you suffer, too
In making me new
For the blade of Love, it cuts both ways

And You peel back the bark
And tear me apart
To get to the heart
Of what matters most
I’m cold and I’m scared
As your love lays me bare
But in the shaping of my soul
They say the cut makes me whole

Hidden inside the grain
Beneath the pride and pain
Is the shape of the man
You meant me to be
Who with every cut now you try to set free

CHORUS…
…With everyday
You strip more away
And You peel back the bark
And tear me apart
To get to the heart
Of what matters most
I’m cold and I’m scared
As your love lays me bare
But in the shaping of my soul
The blade must take it’s toll
So God give me strength to know
That the cut makes me whole

[I love this hymn right now]


Thou Lovely Source of True Delight

1. Thou lovely source of true delight
Whom I unseen adore
Unveil Thy beauties to my sight
That I might love Thee more,
Oh that I might love Thee more.

2. Thy glory o’er creation shines
But in Thy sacred Word
I read in fairer, brighter lines
My bleeding, dying Lord,
See my bleeding, dying Lord

3. ’Tis here, whene’er my comforts droop
And sin and sorrow rise
Thy love with cheering beams of hope
My fainting heart supplies,
My fainting heart’s supplied

4. But ah! Too soon the pleasing scene
Is clouded o’er with pain
My gloomy fears rise dark between
And I again complain,
Oh and I again complain

5. Jesus, my Lord, my life, my light
Oh come with blissful ray
Break radiant through the shades of night
And chase my fears away,
Won’t You chase my fears away

6. Then shall my soul with rapture trace
The wonders of Thy love
But the full glories of Thy face
Are only known above,
They are only known above

“Do I?” (a poem)


[Audio for “Do I?” from upcoming book of poetry “Of Clefts and Gardens”]

Just because I’m joined to One above
does this mean I am in want of desire for
one below,
one beneath,
one under?

Do I not dream the same as you?
A joyful consummation at the end of the day
of rising and falling
rising and falling?

Of breaths and sighs
of whimpers and cries
and half taken breaths whispered in my ear
under the weight of knowing

knowing
that which was good before we Fell,
before we fell away from Him-
fell away from one another.

Let me fall back into Him, into you:
fall for you as I rise into Thy love
and thine
and mine.

Restored –
a picture thereof as my soul is known
and I know this union once more.

So can I want?  Can I dream?
Can I read the words of wisdom old
and long for your fingers to drip with myrrh
as I reach into your garden latch

and seek the rose I long to taste?

May I?

Sex (Of Clefts and Gardens)


Yes, that title was mainly to catch your eye and get you reading, though it isn’t completely off topic.  I’ve been criticized recently for this blog becoming too theological and not really very personal as it used to be, so the past few posts have been my attempt at getting back to that.  Don’t worry, there’s more theology to come, I’m just taking a breather.  Anyway, as many people know, I’ve spent the past six months or so writing an album entitled “So Tearful Apologies.”  Recently I “finished” it (as any musician knows, are you ever really “finished” with your music?).  Technically, it’s not completely done, but it’s done enough for me to feel free to work on my next project, which I wanted to write this post about.

So, I’ve been on a concept album kick.  That’s where you write an album with a unified theme or story as opposed to the typical random assortment of songs.  My next project is about sex.  The working title for it is “Of Clefts and Gardens.”  Using Song of Solomon as one of my inspirations, I was wondering if a Christian in 21st century Evangelical America could write and sing art that is explicitly sexual, but both God-glorfying and beautiful.  As I’ve jokingly said, my goal is to write stuff that is completely God-glorifying but that no Christian bookstore would carry.

With this project, I want to try something different.  I’m writing it as a book of poetry and also recording performances of that poetry and writing music to go along with it in a CD.  Some will be songs, some will just have background music for the poems, but I really want to try and publish this.  I have a lot of poetry already.  I might as well start trying to get it out there.  A little bit about the book/album:

I really do want to explore sexuality in all it’s different facets in this project.  It will be broken up into four sections, each dealing with a certain part of sexuality:
(1) Purpose: exploring the symbolism and design of sexuality
(2) Passion: looking into that drive that makes us sexual
(3) Perversion: exploring the sexual brokenness in this fallen world
(4) Purity: a celebration of sex in its purest and most God-glorifying forms.

As a treat to those who made it through this whole post and apparently care, I’ve included the audio to the first track/poem from the album/book.  It’s called “Do I?” and it sets the tone for the project, asking if I, as a Christian, have as much a right to talk about these things as secular minds do (as a contrast, the last track/poem will be called “I Do” and it will be a celebration of marriage).  Feel free to leave comments, criticisms, ideas for poems/songs, or witty insults.  Here’s the poem/track.  Just click on the title for the audio:

“Do I?” from “Of Clefts and Gardens”

Just because I’m joined to One above
does this mean I am in want of desire for
one below,
one beneath,
one under?

Do I not dream the same as you?
A joyful consummation at the end of the day
of rising and falling
rising and falling?

Of breaths and sighs
of whimpers and cries
and half taken breaths whispered in my ear
under the weight of knowing

knowing
that which was good before we Fell,
before we fell away from Him-
fell away from one another.

Let me fall back into Him, into you:
fall for you as I rise into Thy love
and thine
and mine.

Restored –
a picture thereof as my soul is known
and I know this union once more.

So can I want?  Can I dream?
Can I read the words of wisdom old
and long for your fingers to drip with myrrh
as I reach into your garden latch

and seek the rose I long to taste?

May I?

Final Monologue for Acting Class


This is my “final exam” for my acting class I took this past spring.  I performed the death scene of Cyrano DeBergerac in the play by the same name.  He starts hallucinating all the flaws within him as real people and tries to fight them.  These flaws are what have kept him from being happy his entire life, and it is only now, as he’s dying, that he realizes this.  Thanks to film student/future director Dylan Goodwin for filming all our monologues.  Also thank you to my beard for making a cameo shortly before I left it.

For those reading this imported on facebook, you’ll have click on the “view original post” link at the bottom of this note to see the video.

Mark Nicks of Cool Hand Luke


Anyone that knows me well knows that my favorite band is Cool Hand Luke.  They have had this title since about my sophomore year of high school and it seems that their musical stylings have matured along with my musical tastes, leading me to love them all the more through the years.  Anyway, I saw them play a show in Newport News last night and it was absolutely incredible.  Mark Nicks, the lead singer/songwriter of the band stopped before the last song to talk for a bit and ended up preaching this seventeen minute-long sermonette that touches on everything from politics to current church trends.  Usually, bands talking for a while can get annoying, but this was awesome.  He’s so humble in what he says and so right at the same time.  So, I decided to post this up for everyone else to hear as well.

Click here for Mark’s “Sermon”

_

A Theology of Acting


My “final exam” in this acting class I’ve been taking at VCU was on Thursday of this past week. For the class, I had to keep a “journal” to record my experiences through the course. This is one of my “entries.” I hope you all enjoy:

So where is God in acting, anyway? I really do think that all art points to and represents God in some way. So what about acting? I’ve been wrestling through this for a bit now and I’ve come to a couple of ideas:

1 – All parts of the Bible are dramatic representations of the ultimate plan of God – the Gospel. So, Abraham and Isaac, Joseph, Moses, the Exodus, the Exile, the sacraments are all dramas (“shadows” as the Bible calls them) of realities greater than the sum of these parts. SO maybe acting is true art (or more accurately, drama is) because the basic organizational structure of personality, history, and reality itself is a giant dramatic arrow pointing to God and the Gospel.

2 – Acting explores various aspects of the “Imago Dei” – or, Image of God in man. It’s purity, potential, purpose, and perversion. All these aspects of the present reality of that “thing” that makes us human are the substance of good acting. When you touch that part of us, perhaps you touch something divine. The same thing that the incarnation touched in people as Jesus – divinity in humanity – walked among us. The same thing that will be touched for all time when all God’s people adore and behold Jesus for the rest of time. This leads me to my last point.

3 – Acting could be a symbol of the Incarnation. Jesus became that which he was not (human) to such an extent He became that while not leaving the reality of who He was (divine). It is in this process of God taking on the nature of what He was not in order to redeem it, that the greatest “method acting,” if you will, was ever seen. This is a very weak and poorly developed parallel, but hopefully thought provoking nonetheless.

Indeed, these are just possibilities, but they made me think about and love Christ more, so my hope in writing this is that all of you will to.

–paul

Jesus? May I?


Jesus?

I sit here at this laptop, a vision bouncing ‘round my head
to write a prose to you that shows your grace, beauty, and strength.
But I’m tired and I keep typoingt ypos, over and iver again.
And you know what?  I’m not going to correct that above,
because that really was an accident.

I know, I know.  “Nothing’s new” I heard the wise one once said.
No thought, no word, no deed has the sun not shone itself upon.
Looking down, looking down upon my filthy rags, mocking and burning,
mocking and burning.  I just need to get this out!

Oh, Christ! Will thou not enable me to write these words?

He won’t.

Some may say I’m attempting some not so subtle display of irony,
trying to be original, profound, or cute; noting the use of prose to Him
as my medium for my diatribe on not being able to write a prose to Him,
but it’s not.

These words are nothing, they are filth, not fit for the King I serve.
No edits, no plans, no thoughts or “brainstorming” went into this.
Just the feeble cries of a broken man, wallowing, drowning, fighting,
losing.  It seems.

The weight of people not yet known – their souls upon my shoulders.
The sin I bear upon my back, the doubt that grows within.
I’m lost.  I’m depraved.  My futile thinking, my hardened heart,
my ignoble desires, my Glorious King! the One I have! the One I need!

Oh Christ!  Oh Sovereign Lord!  Be the God to me You are!
Oh that my tongue were loosed with the tongues of angels
to say all your Grace could say!

Let my soul take flight! Rise me into Thy Love!
Faster.  Faster!  Make me only Thine!  I need it!
I must! I lust, covet, and gluttonously gorge myself upon
the Grace I so desperately need desperately. . .

desperately.

And even with that, I end this now, not having said
what I wanted to say – what I needed to say.
Your Grace did not come, or at least in the measure I hoped.
This burden thus stays, this wineskin won’t burst,
this angst will continue to grow.

But I know, in the quietest parts of my soul, those deep whispers
and silent voices, echoing within:
my Beloved is mine and i am His, and His Grace is at His whim,
for if it were up to me, I would not need Him,

and it’s in my need I have Him most.

A Confession


” But you, O my love, for whom I faint with longing that I may be strong, you are not those material objects we can see, in heaven though they are, nor are you the beings which we do not see there, for you have created them and do not even count them as your highest works. How much more distant are you, then, from mere figments of my imagination, fantasy-bodies that have no reality at all! More real are the memory-pictures we form of objects which at least do exist, and more real again than these are the physical beings themselves; yet none of these are you. Better and more certain than the bodies of material creatures if the soul that gives life to their bodies, yet you are not the soul either. You are the life of souls, the life of all lives, the life who are yourself living and unchanging, the life of my own soul.”

— St. Augustine

Damascus


A troubled heart troubled still as I walk in the valley of the shadow of death but Im the shadow of that valley as I strike them with one rod while another comforts them why wont they die as I strike them with My Left as your right upholds them all Ill kill them inhale Ill kill them exhale Ill kill them inhale so on and so forth I walk as the dust of My sandals covers their face while Mine is clean Mine is pristine following none but MySelf on this dusty Damascus road and
then—

a Light . . .
i’m Yours . . .

an Emanating Illumination
eliminating all i thought i knew.
a Light i’ll see no more until
i see Your Face again.

There-

in that Place where every taste
is satisfied;
every desire fully known,

and consummation here,
but until such appointed time
i wait . . .

and endure . . .

a darkness, a pain, a thorn:
a longing for the Light
that keeps me running-
keeps me racing.

a longing for the Light . . .
a longing for the Sight

that took mine,

but left me not in darkness
then, now, and nevermore.

The Portrait of the Artist as a Never Ending Series of Talks and Inside Jokes


I
She stands alone,
lost in a process she only knows;
the reflection staring back in silent contemplation
of a piece going God knows where.

The streets lie lifeless in her eyes;
those eyes
never hidden,
speaking more than lips ever could –
or will.

Imitation sincerest form:
The arm-enveloped laugh wins again.

It wins the hearts of those around her,
a victory bitter in her mouth as unintentioned
as the persual of a lover
far less worthy than she.

II
A treasure to behold,
lost in the circles that bind her.
Unaware of the weary travelers,
knocking at her door.

What reason? What allure?
Presumption guiding every step,
obsession ceasing pleasant passion
as strangers ask for more

and more.

Find the part, feel the skin.
The skin of scalp under fingers raw
from scratching doors leading to air?
Maybe this time?

To freedom.

Freedom from pain, freedom from drama;
just twist the lone lock of so many colors once more
between the fingers and

sleep well this night and rest your head,
let not the demons haunt thy muse
as musings cascade down rivers gold
in dreams,
of a love:
due praise, and
worth honor.

A love Love’s loathing has kept you from knowing
this, these nineteen years gone past.
“A hope deferred makes the heart sick;”
indeed it ever has, but
“a hope that is seen is not hope at all,
for who hopes for what she sees?”

“A desire fulfilled is a tree of life.”

I hope beside you this still dark night
that you find
that which you’ve been made to have
but have had not ever still.

That you settle not for swine
as you are the pearl that is cast.
The pearl unknowing and unawares, of that which
thrusts one’s own out of the sea and into the arms

of He.

your Love.

[NOTE: Part II of the previous post will come very shortly.]

A Prose of Praise to the One who Saved Me.


Actually, this title is misleading. I know not what will come of this late night inspiration of necessitated typing. A prose? An essay? A treatise, perhaps? Ah, the leading of a Spirit whose word made the world! I sit here at my desk, 1:30am, and I just got home from work – a long 8 1/2 hour closing shift at a casual dining restaurant. I smell like smoke, I feel like grease, and all I can think about is getting all this out into the world for all to read.

God has been so amazing. Ushering me into a time of effectual Grace, intimacy, and stilling, I know not what He’s doing and why. I have to wake Him often from the cabin of the boat of my soul to step out and calm the storms – those torrid uprisings of emotions, pains, doubts, fears – the sea foam blocks my view, the winds push me about, but still, still my God rescues me. He has been drawing me to an intimacy I’ve never known. The intimacy of one alone on a wooded path that curves so sharply at every bend, you never know what’s coming – though you know where it’s going the whole time. I recall the first theological dilemma my developing mind ever tried to grasp and couldn’t. Not the usual trinity, eternity, or who created God, but the verses in 1 John that talk of God being in us, and we in Him at the same time. What? I walk down this path alone but never by myself as an Incarnation walks before me, a Father pushes behind me, and a Comforter stills me.

Ah, stills me.

That stilling of my soul that still stirs me now. Be still, my soul; be still. Ah, to feel the waves and storms turn to crystal waters reflecting the Glory of a God reflected in the sunset reflected in the water reflected in my soul. I love Him so little. I must have more. Daddy, give me more! Give me more! Be still, my soul; be still. Ah. . . to find one’s face upon the cold linoleum of a darkened night pillowed by tears flowing from a familiar hymn that carries with it more weight than it probably should but breaks you nonetheless because of recent reminisces of 2 1/2 months one is trying to forget. To see the God of the universe speak through the shuffle an Apple-gizmo-i-whatever to that damn song once more! to call God to Be Now My Vision and to Give Me Clean Hands as I try not to think of You and Me as My Soul Sings forevermore How Great You Are O God! Holy, Holy, Holy is the Lord God Almighty; who was and is and is to come!

As every facade by the hands of men comes crashing down about me, I’m quieted by the one support left still standing. A support that stands in silent adoration of the unfaltering faith of a broken woman who laid the foundation right. I stand on the shoulders of a Giant named Mama. Her faithfulness and prayers- the prayers she taught me- like the one when I was as young as five to always pray for my future wife. O my Beloved, how I long for you. So much more than I should. or should I? I don’t quite know. All I do know is that the faith of one woman is what will bring me to you in the glory of a Solomon, strong and worthy of trusting with your heart. Why did this typing turn to this topic? Am I meant to write these words? O God, if not, lead me to stop. Please stop me! Be still, my soul; be still. Daddy, speak through me as you will, as you want, as you must. Do this work. Oh Beloved, this is all for you – wherever, whoever, whenever if ever, you are. I’m meditating in the field. Draw your veil as I approach your beast of burden, led by One who works on my behalf to bring me to you. Why am I writing this? For whom? Me, or another? I don’t know.

Be still, my soul; be still.

The end is here as I prepare to fall more in love with the one whose Bride I am, for my next night of 60 minutes of time I give to His love letter, His praise, to Him. The time He has called me to only in the past few days, to give him 1/24th of my day devoted entirely to Him, everyday, to draw close to Him, or for Him to draw close to me – whichever. I am in Him, and He is in me.

I’m off to have couch time.

Daddy: still my soul; still my soul . . .

Until another restless night of meandering thoughts,

–paul<

Sorry for the L Word


[I wrote this a while ago, so no one get any ideas as to “certain interpretations”]

Is a hidden love a love at all?
For the sake or right, to fake not wrong,
are feelings feeling present pain
not aright, though actions wane?

For the sake of the past
shall the future lie in want-
lie in wait, for the past to become thus?
Become that?

That which aching hearts cry
and lie and die to, for the sake of a
grace yet to be revealed
though seen everyday:

in a glance, a look, a lasting lingering
lasting just too long. Or does it?

A grace found within a face whose frame
changes daily,
whose heart grows only deeper still as

his deep, and His deep, cry out for hers.

A Portrait of the Artist as God


dscf0039.jpg

Summer is over. The autumn rains
Have descended like tears from an invisible god.
I lie on this rock, the ringing of the isle’s name
                                                                    drips off my ear
along with the stampede of water rushing
                                                             rushing through the silence

Clothed with beauty,
                              I began to understand,
The source of Jupiter-Zeus
And begin to form my own mythology
Within the realm of reality

I see the personality of the wind
The fright of the trees
                                the whispers of the water
The art of the sky the song of nature
My altar erected
                        I now understand

The quiver of twigs
                            the movement of fingers
through the hair of some autumn goddess
Golden; beloved and adored above all the others.

Birds in silent homage,
                                  while sabbatical flowers fall.
I smell the smell of my sacrifice
                                               burning at the altar
of my gods and goddesses as I long to merge.
Be made a tree,
                        the breeze
                                        the ground.

To know and experience all that I love
As lovers
              in one embrace
One flesh of flesh
                          Dust of dust.

My heart in one accord, in that which I was made for
Worship of somethings someone anything
                                                             never nothing
In hopes of finding joy.
                                   But,
As I lie in the midst of beauty’s nature’s beauty
I grow sad because:
For although they knew him,
                                          they did not honor him as such
or give thanks to him,
                                but they became futile in their thinking,
and their foolish hearts were darkened.

Claiming to be wise,
                              they became fools,
and exchanged the glory of the immortal for images
resembling mortal man and birds and animals and reptiles.

Because they exchanged the truth about him for a lie
and worshiped and served the creation rather than
                                                                          the Creator.

And I am no different.

If We Could Only Lose Those Damned Pedestals


[From the famed statue of the goddess “Nike”]

So . . .
you’re so angelic that you don’t need
a head?
or arms?
or feet?
or a bra?

But . . .
you’re not so angelic that you don’t need
some wings?
a slip?
a pedestal?
or a belly button?

(Wait . . .
did you really have an umbilical cord?
because I dont’ believe you.)

And . . .
if gravity has no effect
(as evidenced by your gown and breasts)
what’s the need of wings?

Or . . .
are you as we all are:
created with questions concerning purpose,
and meaning,
and origin.

Always wanting to defy the forces pushing us down,
while lacking feet to do so;
Always attached to our pedestals that bind us.