Repentance (for Liberti & my Home Group)


I help lead a home meeting for Liberti Church: Center City. In these home meetings we usually further discuss the sermon from Sunday and try and see what bearing it might have on our everyday life. As most everyone knows, I have started my new job now and had to work last night so I wasn’t able to attend the home group. So, I thought I’d write out my thoughts here.

This post is mainly trying to place this past week’s message in the broader context of our current series “Lent For Everyone”. The first week, we looked at Jesus’ temptations in the desert to show us how we are meant to live life here and now in the “desert” of history — after our freedom from slavery but before the Promised Land (Audio). The second week of Lent Jared preached on how the God of Christianity  is unlike any other god we make, because of his Covenantal character, and how He does not demand that we bound ourselves to Him, but rather He commits Himself to us (Audio). This past week we heard God in Isaiah 55:1-9 invite us toward the gift of repentance, and in that find life (Audio). Next week, he will talk about the celebration this God is actually inviting to take part in (Audio), and in the final week, he will talk about who this King is that has been with us all along (Audio). In our home meeting, we’ve been talking about these ideas and how our sins reveal the true nature of our hearts.

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I’ve got a REAL real job.


Many of the long-time readers of this blog have been able to follow the drama that was my post-seminary job situation (I had a job, then I didn’t, then I sort of did). But, as most of my Facebook friends now know, as of Wednesday I finally was able to move into the full-time spot at my work that I was originally hired for about 9 months ago. Hindrances both internal to the company and external led to me only having the part-time evening weekend position at the company. Until now. Now I am officially a Psychiatric Rehabilitation Counselor.

The position is at this amazing company called Project Transition. It is a community-based recovery program for people with moderate to severe mental health and substance abuse issues.

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Catholicism on Torture, the State, & the Eucharist


I know, I know — this seems like a weird topic to inaugurate this series. Today, in my ongoing series “Catholics Aren’t Crazy” I wanted to put up a post on a Catholic view of Scripture, inspiration, and inerrancy. They have some amazing things to say on these topics that Evangelicals could do really well to embrace. But alas, current events have changed that plan. Tomorrow I’m posting up a potentially controversial article here on a Christian view of Torture. I’m writing it in light of the recent developments, publications, and interviews concerning the legal and ethical exoneration of the “Torture Memo” authors, John Yoo and Jay Bybee. In my research I stumbled upon the following wonderful article by Andrew Sullivan of The Atlantic, posted on his blog on Ash Wednesday:

“May the Judgment Not Be Too Heavy Upon Us” — The Daily Dish

The article concerns Marc Thiessen, former speech writer for President Bush. Thiessen is on a tour of every news outlet it seems (I’ve seen him on like four different ones just this past week) to promote his brand new book, Courting Disaster, the point of which is pretty much as follows: Our “enhanced interrogation” techniques were moral, effective, and NOT torture; and President Obama has ended them, thereby “inviting the next attack” and putting everyone in America at risk of being slaughtered by Islamic extremists.

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Open Mic: A Theology of Transgenderism? (pt.iii)


As I said in a previous post in this series (Part 1, Part 2), this problem of how the Church must address Trangenderism will be an increasing problem as time goes on. This is mainly because of how the whole idea of gender identity has changed in the past 100 years.

It is only since Sigmund Freud that we use our sexuality as an “identity”. And it’s only after the Enlightenment that living in light of one’s natural identity is seen as the highest ideal.

Now, Christianity agrees with the Enlightenment on this point, but with a caveat. A very, very important caveat that should shape this entire discussion, especially as it pertains to how we actually counsel and interact with transgendered individuals.

The caveat is this: humanity is the image-bearer of God. We are called to reflect and live in light of that Image. When we don’t do this, we are actually going against how humanity was truly designed to live. We are, in effect, acting less human, not more.

Therefore, as we become Christians and our hearts are (slowly) changed, we live more and more as our fully-human, Resurrection selves. Being joined to Jesus as our representative for true humanity, we find our truest, most truly human identity in him–not in our sexuality, not in our physical sex, not in our gender.

In Christ there is neither slave nor free, Jew nor Gentile, male nor female, gay nor straight. There is only Christ.

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Open Mic: The Question of Transgenderism (pt.i)


UPDATE: This series is finished. Part 2 can be found here and Part 3 is here

A couple of days ago, a friend of mine shot me a facebook message asking me for a Christian perspective on, of all things, transgenderism. For many reasons that will be explained later, this will be a topic of increasing pertinence that the Church will have to give a theologically-informed account for at some point. We need to have answers for questions like: “Did God make them that way?”, “Are they just confused?”, “Should we support many people’s desire for surgical alterations?”,”What hope for ‘healing’ can we expect in this life?”,”Is it something that needs to be ‘healed’ in the first place?”, “Is it a sin?”, “What does a Christian with transgender issues look like?”, “Is that even possible?”, among others.

To be honest, I don’t feel like I have a rock solid answer to any of these questions. Every time I feel like I do, I talk to someone and they show me a new dimension I hadn’t seen before. So, I’m very open to ideas, which is why I’m writing this on the blog. I would love everyone’s feedback and opinion as to how one should answer these questions.

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Beauty: The Complete Series


screen-captureIn 2009 I did a seminar at my old church, Epiphany Fellowship, on the topic of Beauty. I spent about nine months doing research, reading, talking, and thinking before offering it to the community. I then separated my overall talk into the series of blog posts you’ll see below. A year later, I updated the main manuscript with some expanded thoughts. Those blog posts represent the material before the update.

On this page you’ll find the audio from the talk and the updated manuscript,, as well as a special appendix I put together offering a complete breakdown of every word in both Greek and Hebrew that the English Standard Version of the Bible translates as “beauty” or “beautiful”, broken down by frequency.  Along with those words (and all their forms), I’ve offered the most literal definition of each so you can easily see the huge range of meanings that the Biblical words for “beauty” carry. I hope it’s helpful. You don’t need any knowledge of Greek or Hebrew to understand it or get something from it.

Series Table of Contents

Resources for this series:

[photo by David Schrott]

The Outline for the Entire Series:

Resources for this series:

[photo by David Schrott]

Baptized in Beauty{10} (Enjoy, Pt. II)


Schrott1

photo credit: David Schrott

For those that have followed this series on Beauty, you will know that we have hit three major sections so far: “Why do we long for Beauty?“, “What is Beauty?“, “What things are Beautiful?“, and now we’re in the “How do we respond to this Beauty” section. I am in the process of laying out four “stages” of an appropriate and full response to Beauty. The first stage of this response is a contemplation of the Beauty.  The second is our enjoyment of it.  The first step in that process is Praising Beauty, which we talked about last time. In this post, we talk about the next step. This also happens to be my favorite part of the process of responding to Beauty. It’s when we are joined to Beauty and are swept up in its complexity and nuances. I love this feeling, I love this experience, and I loved writing and talking about it. I hope you enjoy reading it. Once again, the full manuscript and audio of the lecture I gave on this is below. We pick up right where we left off, saying that we must praise Beauty.

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Bur praising is not enough. Seeing something beautiful and calling it such does not complete the purpose for which that beauty exists. Beauty has an attractive quality. It draws you toward it at a very deep level. The next step, after acknowledging this beauty is to allow it to suck you in. I call this “Participating” with the Beauty of that thing or person.

Practically, this looks lots of different ways. With other people, it’s a drawing near to that person. Conversing with them. Viewing more of the nuances of the Image of God in them that makes them beautiful. For art, it looks like accepting the art on its own grounds and letting it draw you in in whatever way it’s asking of you. For plays and films it’s that idea of “suspension of disbelief”, where you allow yourself to forget that you technically “know” this isn’t real, and you let yourself get sucked into this beauty. Other forms of art tend to ask us to get lost in the object itself and explore its nuances. Closing your eyes during a musical piece and hearing every note; letting the words of a poem get inside of you and change the vocabulary you use to describe its own beauty or the world around you; letting distractions fade as you stare at a painting and see every stroke, every color (anyone who has seen a piece in real-life by John Singer-Sargent or Vincent VanGogh knows this feeling most definitely). Have you ever cried because of Beauty? This is participating with it. In the contemplation stage of this process you ask yourself “what is the beauty of this thing asking of me? It’s drawing me to itself, but to what end?”

But what about God? What about Divine Beauty?  This is where His Beauty shows especially brilliantly. All other forms of beauty can only draw you near to itself. God can and does actually draw you into Himself and Himself in you. We can participate with Him in a way that every other form of beauty only faintly strives for. How? Well, He takes the first step upon changing someone by actually sending his very Spirit to dwell within His people.

But God not only let’s us participate in His Beauty spiritually, but also physically.  After He draws near to us, we do what the Bible calls “abiding” in Him, where we draw near to Him through various things the Bible calls “means of grace”. These are traditionally called sacraments.  They are physical things that we participate in and by faith He meets us there. One of the clearest examples is Baptism.  It is where we are brought into union and participation with Christ in response to his faithfulness and action toward us.  Another is Communion. Just think of the word: “Co-mmunion”. It’s where we “commune” with God. That bread and wine is a symbol, but not just that. It is in those elements that we His people are actually drawn further into God to “commune” and participate with Him in His beauty. This is why Communion is such a big deal in the Bible. God kills people – even Christians – because they misuse this beautiful thing. He will let no one lightly and trivially participate and be drawn into His Beauty.

This should lead us to a “sacramental” view of life, where God is using all things to communicate Himself to us and communicate His Grace to us. Let everything: every good-tasting piece of food, every sunset, every cool breeze, every joyful moment all be moments where God communicates Himself and His grace to you so you might participate and be joined to Him in His Beauty and we further praise Him even more. Historically, the Christians that do this well have been referred to as “mystics”. They are the ones that say seemingly crazy things. Brother Lawrence was a 17th century monk and he said: “I have at times had such delicious thoughts on the Lord I am ashamed to mention them.” John Owen, my favorite Puritan, says

O to behold the glory of Christ…Herein would I live; herein would I die; herein would I dwell in my thoughts and affections…until all things below become unto me a dead and deformed thing, no way suitable for affectionate embraces.

Oh that we longed in that way for God. There is a participation in the Glory, Beauty, Majesty, Goodness, and Love of God that is at hand for those who believe and far for those who don’t. Please, I beg of you, if you are not a believer, seek the Beauty of God, for it’s only suitable response is to be drawn into into and know his intimacy in this way. He, the fountain of all good things, the One for Whom your soul was made, does not disappoint those who seek to know Him. Participate in Beauty.

Click for Manuscript Pdf

Manucscript

Click here for sermon audio

Audio

Enjoying Beauty{9}, Part I: Praise it.


Sargent - Claude Monet Painting in a Garden

We’re almost done! This is the home stretch of the series. After this, there are three more posts in this series on beauty. Then maybe a summary-conclusion article. Last time, we talked about what it looks like to contemplate Beauty. Here, we ask why we contemplate it and what the implications of this answer are. So, why do we contemplate Beauty?

So we can enjoy it to the fullest.

Our text says that God’s gift to man is the ability and call to enjoy and take pleasure in all things, even our vain toiling and strivings of heart. After contemplation, there comes the time when we must engage with what we have contemplated. Even in Christianity, our theological study and discovery of who God is is not complete until actually close the Bible, look up, and enjoy this revealed God. But how? What does this enjoyment look like? Well, as I’ve thought about it, I’ve broken down enjoyment into four different stages. To enjoy Beauty, we Praise it, Participate in it, Proclaim it, and Produce more beauty. Let’s break this down:

First, we praise the beautiful things.

This seems fairly simple at first, but it has a deeper level to it. In its external form, praising the beauty of something is as simple as calling it beautiful. But what about nature? Or art? Or a book? or poem? Perhaps the original artist is dead or not available for you to say to them, “Hey, that’s beautiful.” Those cases help show us that “praise” goes deeper than mere words. “Praise”, more accurately, is a turning of affections toward the object of the beauty before you. It’s acknowledging beauty at the deepest part of who you are. Now, don’t worry. I’m distinguishing between the affections we turn towards these things and the affections we have for God. Those that have been changed by God to see His Beauty have had their deepest affections changed so that God is highest in those affections. But it’s okay to have an affection for things that God loves and has affections for. Having affection for His Church, His people, your family, and Beauty (even the Beauty of quote-unquote “non-religious” things) is completely in line with someone who has been changed by God to see Him as most beautiful. The implications of this more accurate idea of “praising” are huge. First, it means that you can be “praising” with your lips and not actually be praising. It also means that you can be praising something fully, accurately, and appropriately without ever having uttered a word. Imagine staring at a beautiful piece of art. It’s just you and the art while everything else fades away, and every distraction disappears. In that moment, as your affection swells for this thing of Beauty, you are calling it beautiful – you are praising.

In the next few days we’ll discuss what it looks like to Participate in Beauty.  This will be a much longer, more developed idea.  And my favorite way of enjoying Beauty.  So until then…

Here are the manuscript and lecture that this series is based off of.

Click for Manuscript Pdf

Manucscript

Click here for sermon audio

Audio

NPR, News, & the Politics of Change


npr search

I encountered one of the most fascinating things the other day. In the picture above (click for a larger version), you will see a search I recently did on Twitter for “npr”. I was trying to find their various Twitter accounts so I could follow, get news updates, and the like. I was shocked to see that with 1,448,766 followers, NPR’s Politics account is by far the most popular. NPR News is a distant second with only 123,086 followers.

Why is that?

This has been giving more pause than it should. Why are there more than ten times as many people wanting to follow NPR Politics than NPR anything else? Of course, there are many factors I don’t know that could contribute to these results. The Politics account could be the oldest account, and the News one being a relatively new one. They all could have been started around the time of the election. The Politics account could have been advertised more. I don’t know, but still: would those variables fully account for the inequality?

Are Americans really that much more interested in Political news as opposed to general News? Actually, maybe. I know that prior to this election, I only got obsessed with politics for the five or so months leading up to voting night, and then dropped it like a bad habit the next morning. But not this time. For some reason unbeknownst to me, I have kept up with my political engagement – perhaps increased it, in fact. My personal addiction to NPR, The Economist, the Politics section of the New York Times and Slate magazine, various editorials and opinion columns, and all things Social Justice-y has only increased since November.

Could this be a reflection of the amount of hope and anticipation a completely new guard promised to bring? That Americans freely ascribed to? That all of us knew was needed? Perhaps. Personally, I think that the academy is moving past postmodernity into what I’m currently calling “neo-pragmatism” (some good friends would rather call it “critical realism”, and they have some good points). But either way, I feel like modernity preached to us the mind, postmodernity the heart, and now “neo-pragmatism” the legs. In short, I think people are seeking a “whatever works” approach. The great fulfillment promised by the previous two major philosophical epochs never happened, so now people are willing to do whatever it takes – throw off any convention, question so many presuppositions, and change ideologies – in the hopes that something might actually effect change and lasting growth in our lives.

Perhaps this simple Twitter search is a reflection of this? Maybe there really is a much greater interest in the mechanisms of change in the world because people know we need it, they want it, and want to know how their leaders are trying to help them accomplish it. Need I mention more than Obama’s campaign-winning slogan? It wasn’t Ideology you can believe in or even Truth you can believe in. It was Change. And politics is much more likely to accomplish change than news (for better or worse).

I think we’re right in looking for change. I think we’re right in looking for that which will actually be readily applicable in our everyday lives. I think we’re right in looking for what works.

I just fear we’re looking in the wrong place.

The Contemplation of Beauty{8}


Picasso - The Old GuitaristSorry for the brief hiatus.  I don’t quite know what happened.  Probably just getting used to work and a new schedule and everything.  I have a few “lighter” articles in the works for the next couple of days, plus I’m working on more substantial things for other sites.  I’ll let you all know.  But now, back to beauty.

Last we left the Beauty series, we were discussing the proper way in which to respond to it.  Though there’s no absolute “most proper” way to respond, I used our main Biblical text that we’ve been looking at, and an idea developed by C.S. Lewis to break down our response into two useful categories: contemplation and enjoyment.  Before we enjoy, we contemplate.  This is not to say we can’t enjoy anything apart from comprehensively knowing it, but it does say that a contemplation and exploration of things helps us enjoy them more fully; and to be enjoyed to the fullest is the ultimate desire of Beauty itself.  But what does this contemplation look like in real life?

Let’s recall our defintion of Beauty as the attribute of something that expresses complexity, simply.  It’s what takes the complex unwoven strands out there in reality and weaves them into a tapestry that we can perceive with our spiritual and physical sense.  The more strands are woven more simply, the more beautiful that tapestry is. So in its most basic form, the contemplation of Beauty is thinking through what “strands” or what “complexity” is being represented in the thing in front of you.  So what does it look like? Well, formally, in philosophy, this endeavor is called “Aesthetics” or “Metaphysics”. It’s the philosophical study of Beauty and Beautiful things.

In the real world, for the rest of us, I thought of two ways this could look. First, when presented with something that your senses find beautiful, ask yourself, “What is it that’s actually being stirred in me?” Is it romance? Sorrow? Reminders of childhood joys? That stirring is your soul resonating with the strands that are in the tapestry in front of you. This is what art critics are really good at doing: teasing apart the strands that make up any given piece of art. The second way I could see this look is when you are encountered with something or someone that everyone seems to think is so beautiful but you just don’t get it. Maybe it’s the Mona Lisa. You may think: “Yeah, it’s a good painting, but what’s the big deal?” Maybe it’s some piece of abstract art that everyone else is swooning over but you. Maybe it’s a book, poem, or song you just don’t understand. In this case, I would encourage you to do research, read criticism, and try and understand the complexity behind the tapestry that others are noticing, but not you. It seems like people that know Music theory really well seem to like Jazz and Classical more than others. It seems like trained poets like weird abnormal poetry. The better you can understand the complexity in something, the easier it is for you to appreciate and ultimately enjoy the fullness of its beauty. This is why I would encourage all of you to be very curious about as many topics as possible. It’s not for the sake of more knowledge, but so that you can better enjoy the world around you and see it’s Beauty in everything.

Now, what I just went through is more for our everyday use and understanding of subjective, created Beauty. But more importantly, we must learn what it means to contemplate the Beauty of God. In Christianity this endeavor is called “Theology”. If Theology is (as most people know) “the study of God”, then it by definition is the study of Beauty Itself. This is what Theology was meant to be. It’s the kind of theology God calls us to do. Theology is the contemplation of the various complexities and revealed “strands” of God in order to better enjoy Him. John Calvin talks about this in his Institutes of the Christian Religion. He says that if your quote-on-quote “theological study” isn’t leading you to greater praise and enjoyment in God, then you’re not really studying theology! At that point it’s just studying literature – getting a better idea of this “character” named God in this “novel” called “The Bible”. This is why I had to leave seminary. I was in the midst of such beauty and I was numb to it! I was too immature. I didn’t have the spiritual infrastructure to see it for how beautiful it was! This infinite complexity being placed in front of me day in and day out was not leading me to enjoy Him. How many of us live day in and day out surrounded by the objective beauty of Christ and it does nothing to us? This contemplation of the Beauty of God can help us. Just yesterday our brother Marc Savage sent that group text (I have no idea how many of you got it) with this quote from Charles Spurgeon: “There is something exceedingly improving to the mind in a contemplation of the Divinity. It is a subject so vast, that all our thoughts are lost in its immensity; so deep, that our pride is drowned in its infinity. No subject of contemplation will tend to more humble the mind, than thoughts of God.”

May I challenge all of us to press in and seek the complexities of Who this God is and how He has revealed Himself? Understanding the beauty of God is of the utmost importance to the Christian, because His beauty is completely pointless. It can’t be manipulated, used, or abused. It can only be enjoyed. Something I’ve learned over time: whenever spirituality of any kind goes awry and goes off track, the Beauty of God is one of the first things to go. The inability to accept the mysterious complexities of God is the beginning of all heresy. You can’t have a right enjoyment of the Beauty of God and be a legalist, libertine (someone who abuses grace), or a hypocrite. Seeking to enjoy the Beauty of God is a guard against all these things. In my reading, one of my favorite things I came across was from a Catholic theologian named John Navone. He says in his book Toward a Theology of Beauty that Christian theologians (which I would argue should be all of us) are people given the task of articulating and putting into words how everything in life is given to us by God. Navone calls this the “givenness” of life and selfhood. This means that all of life is grace – unmerited favor; and that even things that are usually seen as secular (types of visual art, media, culture, jobs, and types of “non-Christian” music) are actually things that “mediate the mystery of the dawn of Christ’s Kingdom, as epiphanies or manifestations of grace. We as theologians [(and I would argue as artists and beholders of beautiful things)] are charged with the task of ushering in and articulating the mysteries of beauty which we will rest in forever.” That’s amazing. He goes on to say that “Theologians [(and I’d say even Christian artists)] are engaged in a dialogue, not only with their public, but with the object of their contemplation.” This should be one of the distinguishing factors between artists that are Christians, compared to those that are not: non-Christian artists can only use their art to dialogue with other people (speaking horizontally) and other art (speaking down). Only the Christian can make art with the confidence and hope that it also speaks and dialogues upwards to a God pleased to see, hear, or watch it.

Now what if you’re hearing all this, but you wouldn’t say you’re a Christian. First, if your interest has been piqued, but you just don’t get it, I’d give you the same encouragement I gave to those earlier that don’t understand the Beauty of things that others find beautiful. Learn about this God. Stick around. Ask questions. Seek answers. Try to see the infinite complexity of this God and how simply he has revealed Himself. Look into how He has revealed Himself and start to pick apart the strands of the incredible tapestry he has revealed Himself as. Secondly, let me encourage you: there is objective Beauty. You heart yearns for it and longs for it, and it is out there. Objective beauty is when the fullest possible complexity is expressed to us. So God – infinite complexity – is that objective Beauty Itself. But people don’t know full objective beauty before they know God. This complexity cannot be comprehended until God changes someone to comprehend it. If you’re not there yet, that’s fine. Pray. Ask God to change you as He has changed many of us. Contemplate this God. Contemplate His world. Contemplate all Beauty.

Why?  So we can enjoy Beauty.  I’ll see you next time.

Here are the manuscript and lecture that this series is based off of.

Click for Manuscript Pdf

Manucscript

Click here for sermon audio

Audio

Ah, the Beauty{6} of Art


Caravaggio - NarcissusThis is the next installment in the Beauty series (for the complete series, click here).  This is based on the manuscript I wrote for a message I gave at Epiphany Fellowship in Philadelphia (links to both the manuscript and the audio are at the bottom).  We’ve gone through a lot so far, including a discussion of why we long for Beauty, a definition of Beauty, and how science and nature are beautiful.  This series has received great feedback from people (and it’s only about half done!).  So feel free to jump in and comment and keep the discussion going.  Today’s post is on the beauty of Art.

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Humanity’s creations are beautiful.This is where we get to talk about art.

For some reason (I have no idea why) this was actually the very last section I worked on.Whether that means it’s a lot better or a lot worse, I don’t know.Anyway, art is a really tough thing to talk about.Its a huge topic that everyone has an opinion on, and as time has gone on, the conventions of art and what it is have broken down and definitions have broadened almost to the point of not really being definitions at all.Not only this, but you also seem to have people forgetting some very important things that we all must be reminded of.

First off, we are too quick to call God the “Supreme Artist”.That’s taking a description of humans and describing God with it.We’re right in starting with him in trying to understand art, but seeing Him as the “Supreme Artist” generally makes us picture in our minds the type of artistry we like best, and then begin thinking that God values that kind the most.This ends up being a bottom-up kind of description of art rather than top-down.Before God is Artist, He is a Creator, so we must start thinking of art creative-ly.This means that the way God is an artist is by making things that are not him and weren’t around before.So when I refer to God as Artist, that’s what I have in mind.

Secondly, we must keep in mind that God Himself was the first abstract artist.I kept reading all these books and articles written by Christians about art and so many of them seemed to not have room in their “theologies of art” for the abstract.The opposite of “abstract” art is “representational” art – art that “re-presents” something we know exists.When God did His artistry, it was all abstract.There was nothing to “re-present”So that being the case, I can’t think that God isn’t glorified in even the most abstract of art.There may even be an argument that abstract art is closer to the heart of God than representational.I’m not making that argument, but someone could.

Thirdly, as most Christians recognize, we create things because God does.In the first passage in the Bible that talks about people being made in the “Image of God” in Genesis 1:27, the logical question that follows is: what exactly does that mean?Now, theologians and philosophers have argued about this for thousands of years, and I’m not going to try and finish that fight right now, but I will say that it’s interesting that at this particular time in Scripture that this verse shows up, there’s only one thing we know about this God that humans are apparently in the “image of”: that He has the desire and ability to make things.I imagine that’s where we get our desire and ability.As G.K. Chesterton points out in his book “The Everlasting Man”, whatever role evolution may have played in the development of this world, it can’t by itself explain art.You don’t see monkeys in caves making bad art and humans now making good art.There’s something about art that reflects what makes us unique among all created things.

So when we do create and we do make, what does this have to do with beauty?Everything.I really do believe that art, like science, is a necessary endeavor in furthering God’s plan in History.God’s creation merely points to God’s Beauty.It doesn’t make beauty itself.Humans, on the other hand, actually make beauty and play an integral part in God “making all things beautiful in their time“.Let’s go back to our definition of “Beauty”:Complexity expressed simply – many complex strands woven into a sensually perceived simple tapestry.  The more complexity of “strands” that are represented in a piece of art, the more beautiful it is.And remember- different people, due to many factors, will find and feel different “strands” running through different pieces of art, leading to different personal aesthetic standards for each of us.

So imagine every strand in the universe is there before an artist preparing to do a piece.You have suffering over here, hope here, joy here, God, evil, life, humanity, death, birth, redemption, pain – all there before the artist.In art, the artist grabs as many of those strands as they can and crams and weaves them into the piece.And the more there are, the more beautiful it is.That’s why many people don’t like Postmodern art.There’s no complexity.It’s too simple and says nothing.There are not enough strands in it to strike the heart of a person so they can actually call it beautiful.A complexity of ideas makes art beautiful.In the Preface to The Picture of Dorian Gray, Oscar Wilde writes out his thoughts on Beauty and art.He writes: “It is the spectator, and not life, that art really mirrors.Diversity of opinion about a work of art shows that the work is new, complex, and vital.When critics disagree, the artist is in accord with himself.”Though I disagree with Wilde on some of what he’s saying, nevertheless he is noticing that different strands in any piece should resonate with different people.Some people will be offended.Others will praise it.It’s just the way beautiful things are. After all, it’s how God and the Gospel are.

I’ll end this oh-too-brief section on art with a few comments on the distinction between “Christian” art and “secular” art.As Phil Ryken, just down the street at Tenth Pres writes in his book Art for God’s Sake: Bad Christian art “ultimately dishonors God because it is not in keeping with the truth and beauty of His character.It also undermines the church’s gospel message of salvation in Christ.”How? Well, the kind of modern art that most Christians scoff at is art that is completely void of goodness, light, and truth.But Christian art tends to do the same thing by being void of other very real things in this world: depravity, pain, and sin.When our art shies away from these things, in effect, we’re avoiding showing the world what they need salvation from.Jesus didn’t come to save some cute coffee mug or bumper sticker kind of world.He came and suffered, bled, and died an ugly death that we celebrate as the most beautiful event in all of history.We must make room in our art to explore the darkness and pain of this world so we can show them that Christ can and does engage and enter into brokenness to see it redeemed.

To conclude, recall what I said a couple of posts ago on the structure and nature of history and time?  History is not the story of the present hurtling through time towards some future endpoint we call “heaven”.  Rather, it is the beauty of that future world invading the present, even as we sit and read this.  If “Beauty” is the end goal for which God is making all things in their time (Ecclesiastes 3:11), then whatever floods the world with Beauty is actually furthering this process of redemption.  Artists, both saved and secular, are actually missionaries of sorts, as they help reweave the fabric of the universe with the beauty of their creations.

Are you all starting to see why we need artists?Good artists doing good and beautiful work; and not trite, kitschy, cute things that keep us away from the real world out of fear that we might “catch it” or something?A creation always reveals something about its creator.If you are a Christian reading this right now, may I urge you to show the world through your creations that you have been saved by a Gospel that makes you care about excellence engaging darkness, beauty engaging filth, order engaging chaos, and redemption conquering sin?Let our art, our creations, speak of a beautiful work that a beautiful God has done in us, whether or not it is an explicitly “religious” piece.

Art is beautiful, and necessary for the redemption of this world.

Resources for this series:

Max Lucado’s “Fearless” and my heart (a review preview)


I’m a book reviewer for Thomas Nelson Publishers.  A few weeks ago I received a pre-publication copy of Max Lucado‘s upcoming book “Fearless“.  I hate so much about Christian “culture”, especially its commercialism, cheesy cliches, seemingly naive treatment of the fallenness of the world, and an inability to know and apply a deep understanding of the Gospel.  For years, admittedly, Lucado has stood in my mind as a representative of much of this.  I have, with little engagement with his material (other than his children’s books), tagged him as such a man; and in a certain way, he is the cheesy, cliche-ridden, mass appealing writer I have assumed (as is evidenced by this official site for the book), and the official trailer found below:

Let’s just say it’s been a big change going from Francis Turretin, John Calvin, and Herman Bavinck to Max Lucado in a matter of months.  Anyone that knows me knows that it has been a long journey through many frustrations with mainline evangelical culture to teach me how to love the Bride of Christ.  And I’m still learning.  I have belittled her, talked her down, mocked her, and ridiculed her in the most shameful of ways.

And this book has been a healing process for me.  Not giving away too much of my upcoming review when the book’s released, I just want to say that this book is amazing.  Save for the first few chapters, I have been shown that even amidst bad jokes, inadequate metaphors, “simple” writing, and an over-commercialized release (including shirts, calendars, mugs, study guides, DVDs, children’s books, teaching curricula), there can be poetry, depth, a real exploration of the human condition, and beautiful articulations and applications of the deepest, most precious truths of the Gospel.  Lucado has shocked me.  And taught me.  And helped me.  And stirred me for this God, His Gospel, and all that it supplies us.  Though I may be going against the fine print in my publisher’s agreement in doing so, I want to share with you all my favorite few paragraphs from the book so far:

A calmer death would have sufficed.  A single drop of blood could have redeemed humankind.  Shed his blood, silence his breath, still his pulse, but be quick about it.  Plunge a sword into his heart.  Take a dagger to his neck.  Did the atonement for sin demand six hours of violence?

No, but his triumph over sadism did.  Jesus once and for all displayed his authority over savagery.  Evil may have her moments, but they will be brief.  Satan unleashed his meanest demons on God’s Son.  He tortured every nerve ending and inflicted every misery.  Yet the master of death could not destroy the Lord of life.  Heaven’s best took hell’s worst and turned it into hope.

I pray God spares you such evil.  May he grant [you] long life and peaceful passage . . .. But if he doesn’t, if you “have been given not only the privilege of trusting in Christ but also the privilege if suffering for him” (Phil. 1:29 NLT), remember, God wastes no pain.

Amazing.  Look for my review September 8.  In the meantime, you can order the book here, and read some of the ebook here.

Human Beauty{5} | (Anthropological Aesthetics)


Sandorfi - Ange-smallerOkay, I’ve realized that I’m only about half-way done with this series on Beauty, so after this week, I’m going to make this into a once-a-week series for the rest of its duration. After Wednesday, after we talk about art, the theoretical foundation will be laid and the rest of the series is merely application. So every Monday, I’ll post the next part. I want to do this so people don’t get tired of it, so I can talk about the many other things rolling around in my head, and lastly, I want to do this so that people will actually engage the material and have time to digest it.

With that being said, this is the next section in the series on the Beauty of humanity. You will not find the usual bold/regular font distinction I’ve had to make in the other parts of this series because pretty much all of this is new material I didn’t get to cover in the message. I know this is all very inadequate. If I ever turn this message into a book or something, I’ll be fleshing this out a whole lot more. A few nights after I gave the message this whole manuscript was based on, I ended up talking to my roommate for about an hour further unpacking these ideas about physical beauty to him. He pretty much received an hour long lecture full of material that was in neither the message nor the manuscript. All that to say: there’s far more application of our working definition of beauty that could be made concerning human beauty, and far more questions that can be answered. Maybe someday I’ll engage some of those, but for now, I’ll just put this up and answer any specific questions as they come. I hope this is helpful. You can find the whole series here. Once more, links to the full manuscript and audio of the message are below.

Humans are Beautiful.

Humans are the crown of God’s creation. In the opening chapters of Genesis you see that with each day of creation, what God creates grows increasingly complex and nearer to the heart of God, until you reach that final creative act, where God intimately makes humans in his very own image. We can’t lose this. All humans have dignity, worth, and beauty, no matter where they end up eternally. God loves all humanity, and so should we. Being image-bearers gives us all innate worth and innate objective beauty. But, as we are all very aware of, humans also have a very subjective sense of beauty as well. This is where we get to talk about physical beauty briefly. Though I can’t do full justice to this topic here, I’ll try to give you some tools to better think through these things on your own. I know there’s a lot of brokenness over this issue in this room. Lots of pain and baggage that I wish I could deal with more. People who’s beauty has been abused or insulted. People who have used their own beauty to fill that eternity in our hearts, but to know avail.

Though I can’t hit every issue involved in this, I do want to say two main things that I hope are helpful. First, remember our definition of Beauty? Beauty is complexity expressed simply. Everything about us is always expressing the almost infinite complexity that comes from being human. Physical unattractiveness, it seems to me then, is when this human complexity is not physically expressed very simply, orderly, or harmoniously. Does this make sense? Is it not true that the ideas of “ugliness”, “grotesqueness”, and similar descriptors carry with them a sense of “busyness”, “disarray”, and “too much going on”- the opposite of simplicity and order? I say this not only to give an understanding of physical unattractiveness, but to to remind us that our physicality expresses parts of our humanity. In the tapestry of being human, our physicality – how we carry, dress, make-up, and build-up ourselves – emphasizes and expresses different strands within that tapestry. What parts of the beautiful artwork you are are you trying to accentuate and emphasize with your physical beauty? Your own strength? Your ability to draw eyes to yourself? Or do you use your beauty to point others away from yourself to the one of whom your beauty is but a shadow of? There’s a difference between True Beauty and Seductive Beauty. True Beauty is whatever attracts us towards our ultimate fulfillment and happiness. It draws us towards higher, more complex joys, excellencies, and goods. Seductive Beauty on the other had is beauty that tries and draw us away from our highest good and draws us towards lower things- baser pleasures, compromises, and harms that will eventually be our ultimate unhappiness and destruction. If you are not trying to draw people to their greatest good, then you’re drawing them to destruction.

Secondly, remember earlier, where I said that some people, because of culture, experiences, and such value different “strands” of that tapestry of the world differently? This is a complex way of saying that different people find different things beautiful, and that’s okay. That’s good. Humans were made to make value judgments. This is so that we who have been changed by God can look at him and rightfully and freely declare him as all Beauty. We were made this way so that we could assign true value to true things. But this good purpose of assigning value to things has become distorted because of sin and we often give the wrong value to wrong things. We long for Beauty, so we often (especially when we are not joined with God who is Beauty Itself) try to fill things with more meaning, more complexity, more “strands” in order to make them seem more beautiful, but it’s a false beauty that will never really deliver. It’s imposed on things and not recognized from within things. So, I think physical beauty is an outward reminder of the original goodness, order, and “complexity-expressed-simply” that people were made for, just like deformities are outward reminders of the fallenness of this world. We are supposed to be drawn to physical beauty. That’s okay. But sin takes that one strand of the tapestry of what makes someone completely beautiful as simply a human, and makes it more valuable than all the other strands. The problem is not when we recognize and enjoy physical beauty, it’s when we prioritize it above other things. So, feel free to pursue romance with someone you are physically attracted to (amen) and feel free to acknowledge when you see physical beauty. But, the encouragement I’ll give you is this: as you do so, make sure you are spending plenty of time enjoying and rightfully calling “beautiful” the God Who’s Beauty overshadows all others. Practicing right value judgments with the One of highest value helps us see ourselves and the rest of the world more properly.

Humanity is beautiful.

Art by Istvan Sandorfi.

Here are the links to the audio of the message, and the full manuscript.

Click for Manuscript Pdf

Manucscript

Click here for sermon audio

Audio

Why We Long (Setting the Stage) [Eccl.2+3] |Beauty{1}


Scotland-Summer 2006-Edinburgh-Calton Hill-040This is the first part in my series going through the different ideas in the manuscript I wrote for a recent message I gave at Epiphany Fellowship’s monthly ministry “First Friday Fundamentals”. Upcoming topics include what Beauty is, how science reveals Beauty, why we find some things/people unattractive, and the nature of physical beauty. This first part lays out a theological and psychological understanding for why we long for beauty in the first place and how even that longing can get derailed because of our fallenness, finitude, and sinfulness. Also, I made a Web Album of pictures I took from Calton Hill.  They can never do it justice, and they look really anticlimactic, I know, but just trust me, God met me there.  I also linked relevant references in the manuscript to their appropriate pictures.

[Bold: things I had time to say // Regular: things I didn’t have time for]

___________________

In the Summer of 2006 I spent some time studying Creative Writing abroad at the Glasgow School of Art in Glasgow, Scotland. It was amazing in many ways. It was the first time I’d ever been out of the country. I saw things, met people, and went places I only could have dreamt of seeing, meeting, or going. One particularly memorable highlight: I had my first beer ever in a Scottish pub, July 4th, during the World Cup. The third week or so into the program, we had a free weekend so I decided to spend the weekend in Scotland’s capitol, Edinburgh. On Sunday I found a church and attended this amazing service. Afterwards, I just started walking around the city. I ended up following my map to this place called “Calton Hill. I walked in the shade of the tress around the base of the hill and found these little stairs to my right. I followed those stairs and as I reached the top, the trees broke just right, and the light fell so precisely, and I turned at just the right angle that I suddenly found myself standing above the entire city of Edinburgh looking out for miles. As I turned around 360 degrees, I could see the ocean on one side, the city on the other, and the giant hill to my left a mile or so away called Arthur’s seat that they say figures into the King Arthur legend.  [Click Here for the Web Album]

I began to cry almost immediately. One thing you’ll realize about me over time: I’m either the most rational romantic or the most romantic rational. To the charismatics in an old church of mine in Richmond I was the cold, dead theologian. To the seminarians up here I was the feely, emotional charismatic. They’re probably both right. But regardless, I broke down on top of this hill because I was staring at the most beauty I’ve ever seen. I felt small, I felt sinful, I felt worshipful, and I felt the presence of God more tangibly in those few hours I spent on top of that hill than at any other moment of my life. At the very same time I felt the most complexity and simplicity of emotions. I was so at peace, yet I wanted to scream.

So why is it that beauty draws those sorts of things from us? What is it anyway? How do we know what is beautiful and how to respond to it? We live in a world of such paradox. Pain and ugliness are the primary soundtrack of our lives, it seems, and yet most of us don’t live in a constant state of despair. We seem to live off those little oases of beauty in life. So how do we understand what beauty is and how it works in the midst of the seeming vanity of all life? Well, there was another man in history that pondered these things and recorded them in the book of the Bible we know as “Ecclesiastes”. He looked out on his own existence and the nature of life and saw it for what it was: full of useless strivings and the vain repetitions of repeated history as all reality just keeps turning, turning, turning. We know him today by the Hebrew word for “Speaker” or “Preacher” and that is what he does. In the text we’ll be in he tells us about life and beauty and how these things relate.

The Text (Ecclesiastes 2:22-3:15)

Read 2:22-24 | verse 24, as the Hebrew literally says it, and how it can legitimately be translated, reads: Nothing is better unto mankind than that he should eat and drink and see his soul as beautiful in the midst of his toil.

Read 2:25-26 | The “toil and striving of the heart” the writer talks about here is the work that we do in light of our deepest desires. It’s the pursuits to fulfill all we want and all we long for. It is those pursuits that can never be accomplished, those longings that can never be fulfilled. It’s the deepest drives within us that motivate everything we do. The writer says that these desires, these strivings can never be satisfied. We can try all we want, but no matter what, that pain and vanity will always be the constant state of our lives. But why? Why is it so vain to work so hard at this?

Read 3:1-8 | You see, it’s vain because all things already have their proper predetermined season. Everything you work to accomplish will only come in it’s appointed season for you, and everything you work to avoid will always come in its appointed season for you. That is why our toil is all in vain. But yet we strive anyway. So why do we still strive in this life? The Preacher asks this very same question: What gain has the worker from his toil? He then tells us that he thinks that God has given him a special perspective to give us some insight on why we do (and should do) the strivings that we do. He says: I have seen the business that God has given to the children of man to be busy with. He says that he thinks he sees it. He has looked out over history and life and he thinks he sees why it is we strive. Though it’s in vain, God still births something in us to toil. The Preacher has seen the proper striving that God has given humans to do. So what is it? Well, his answer to that is our main text tonight.

Read 3:9-15 | The writer says I have seen the business that God has given to the children of man to be busy with. He has made everything beautiful in its time. Also, he has put eternity into man’s heart, yet so that he cannot find out what God has done from beginning to end. Does anyone else see how weird this sounds? The writer says this is the business of man and then goes on to talk about God doing things and what we can’t do. So what’s going on? This is what I think the writer is saying: God has a picture of what a good and beautiful world looks like and He is forming this world into that picture as he is making all things beautiful. This beautiful world is an Infinite, eternal one. So, He has put eternity into our hearts, or in other words, put a deposit of this eternal beautiful world in our hearts, causing us to long for it. This seems to be so we can recognize the beauty that God is making while not seeing the exact mechanisms that God is using to do it. It forces us to enjoy what God is doing while still having to trust Him rather than trying to predict Him. Apparently the business of man, then, is to see, recognize, and enjoy the beauty God is doing. But, in our sinfulness, we don’t like not being able to find out what God is doing from the beginning to the end, so we like to form our own pictures in our heads of what a good and beautiful world looks like. So every action of every human being is to make the world out there match the world in their head. The task of the Christian, then, is to make the world they want in their head match the world the God has placed a longing for in their heart. The rest of our text describes what this looks like, so we’ll get to that later when we talk about how we respond to beauty. But let’s first get down a definition of Beauty.

And that, my friends, is for next time . . . Here are the audio and manuscript links, as promised:

Click for Manuscript Pdf

Manucscript

Click here for sermon audio

Audio

Eternity in Our Hearts: The God of Beauty, the Beauty of God


Sargent - Madame Errazuriz-smallThis message was seven months in the making, and this past Friday I finally delivered it.  So, as promised, I’m posting both the audio and the manuscript here.  You can also find a general outline on my Sermon site, and you can also find it at my Podcast.

Click here for sermon audio

Click for Audio

Click for Manuscript Pdf

Click for FULL Manuscript

This is the message I gave at Epiphany Fellowship. The topic was Beauty. The attached manuscript is the full manuscript. It is 43 pages long and contains far more information than I was able to give in a 40 minute message. It includes an appendix where every form of every word in the Greek and Hebrew translated as “Beauty” or “Beautiful” in the English Standard Version of the Bible is ordered by frequency and includes the literal meanings and lexical range of each word.

I really cannot stress how much more is in the manuscript than was preached.  Every section has huge amounts of thought and prayer in it that was not able to be included in the final message.  That’s why throughout the next week or more, I’ll be blogging about every section of this manuscript.  Each post will focus and discuss the fuller version of each section.  If it gets to be too much I’ll spread it out as need be, but we’ll see.  This is where your thoughts and insights will be so helpful and needed, but if you have a question now, don’t feel like you have to wait for that blog post to come to ask.  Engage with any and everything now.

I hope this blesses all of you as much as it did me.  The feedback that evening was more than I knew how to handle and perhaps I’m still processing it.  Thank you all for your grace and affirmation.  For those that came out, I thank you. I very much enjoyed both preparing and delivering this message, and I look forward to further chances to do so.  If you’re interested in giving me such a chance, feel free to use the contact email on the sidebar to the right (or just click here).

Enjoy, and feel free to let me know what you think, and please at least look through some of the manuscript.  Until next time . . .

One small final note: on most every site and post I’ve used to discuss this message I’ve used the attached piece of art.  It is a piece called “Madame Erraruriz” and it is by my favorite American painter John Singer Sargent.  I got to see this painting in an exhibit of his at the Virginia Museum of Fine Arts and ever since seeing the brushstrokes in this simple painting and seeing the nuances and the subtleties that don’t quite come across from this digital shot, I have long found it to be one of the most beautiful paintings I’ve ever seen.  It is for that reason I have chosen it as the picture that has constantly been up for all these posts.  A few years back I even wrote a poem based on the piece called “Extended Engagement”.  I ended up writing two versions, one less structured than the other to better mirror the feel of the piece, but on this blog you can read both Version 1 and Version 2.  Let me know which you prefer.