Beauty: The Complete Series


screen-captureIn 2009 I did a seminar at my old church, Epiphany Fellowship, on the topic of Beauty. I spent about nine months doing research, reading, talking, and thinking before offering it to the community. I then separated my overall talk into the series of blog posts you’ll see below. A year later, I updated the main manuscript with some expanded thoughts. Those blog posts represent the material before the update.

On this page you’ll find the audio from the talk and the updated manuscript,, as well as a special appendix I put together offering a complete breakdown of every word in both Greek and Hebrew that the English Standard Version of the Bible translates as “beauty” or “beautiful”, broken down by frequency.  Along with those words (and all their forms), I’ve offered the most literal definition of each so you can easily see the huge range of meanings that the Biblical words for “beauty” carry. I hope it’s helpful. You don’t need any knowledge of Greek or Hebrew to understand it or get something from it.

Series Table of Contents

Resources for this series:

[photo by David Schrott]

The Outline for the Entire Series:

Resources for this series:

[photo by David Schrott]

The Gospel is Beautiful{12} | it is finished


Rembrandt-Return of the ProdigalWell, it’s done. This is the end of the Beauty series. I won’t say too much, because this part is long enough already. I would just remind all of you of two things. Firstly, this whole piece began with the story of the most beautiful thing I have ever seen: the city of Edinburgh as I stood above it on top of a hill in the city. Secondly, our definition of Beauty: Beauty is the attribute of something that expresses complexity, simply. It what takes the complex strands of the world, reality, experience, or God and weaves those complexities into a simpler tapestry which we can perceive with our physical and spiritual senses. The more complexity expressed more simply, the more beautiful something is. And with that, let’s finish this thing out. What’s coming next? I have a post ready for that that I’ll post up in a couple of days. We pick up right where we left off

In conclusion, I want to talk about the thing that ties every one of these things together. The thing in which there exists in a glorious and beautiful harmony between all the different things we’ve talked about tonight. The last part of our text tonight, Ecclesiastes 3:15 says “That which is, already has been; and that which is to be, already has been; and God seeks what has been driven away.” God seeks what has been driven away.” In conclusion, the Gospel is Beautiful. The Gospel, in short, is the story and message of Christianity. It comes from the Greek word meaning “good news”. So what is this good news for us? The news that God did the ultimate act of beauty. The ultimate act of condescension of filling this finite world with the most Infinite of Beings for the sake of knitting it together again, and actually ultimately filling it with Himself. You see, God began History and ordered it in such a way that it was beautiful. He filled this simplicity with the marks of Himself, so all things pointed to Him and reflected Him perfectly. Humans came on the scene and were made in His image so that they as well truly and purely reflected, represented, and “Imaged” (that would be the theological term) this God on earth. But sin entered into the world, and made this world fallen from its original place of beauty. And we have followed suit. You see, sin is not finding certain things, people, or places beautiful. It’s that we find them more beautiful than God and these responses that are due God, we give to other things. We worship and “image” and express fallen simple things rather than the Holy complex God. We all have done this. I have done this. You have done this. You have soiled your beauty and abandoned it to your lusts! You no longer represent the One whom you were meant to mirror and reflect and therein find your beauty! You merely represent the world. The lowly fallen world. Fallen people imaging fallen things. There’s no beauty in that.

But God, being rich in mercy. Though we have abandoned God’s beauty and our own true beauty, God has not abandoned them. He loves His Beauty. And He loves the Beauty of His creation. So this God, for the sake of the worship His own beauty, and our own own joy in His Beauty, comes. The most perfectly knit together tapestry in the universe chooses to come and express the most Holy Complexity in the most intimate simplicity. This perfectly woven tapestry walks the earth, lives the perfectly woven life, and then stares into the cup of God’s perfectly woven wrath reserved for all things and people that are not beautiful in this world. And he drinks it. This perfect tapestry of complexity expressed simply goes to the cross willingly and allows the tapestry of His soul to be torn apart strand by strand by strand as the wrath of God that hung over everyone who would believe was gathered by God and poured it on Himself. That wrath that hung over many of us in here. That wrath that hangs above some of us tonight, that will be poured out on something. Either on Christ at the cross, or in you in Hell. Did you know that Hell is beautiful? Not for those that are there, but it is. It is pure, white, Justice and Wrath poured out on all that was wrong in the world. So God’s wrath will be poured out either in Hell or the Cross.

And history revolves around this cross. Because at the same time that Christ, Beauty Itself, was literally being torn apart, he was reconciling all things to Himself. In other words, he was taking every stray strand in the universe – every bit of evil, suffering fallenness there will ever be in history – and reserving its proper place in the final tapestry of History that we call heaven. He was making Himself the common glorifying thread that would reknit the broken fabric of a broken creation. And so we live now in the process and story of God putting all those strands in their proper place. As more and more beauty floods the earth He is still inviting his people to join Him in this epic story. He is calling his people to praise Him and draw near to Him, and out of the overflow of that to proclaim His Beauty to others and make more beauty, so as to usher in this new creation – or to put it in our terms tonight – the New Tapestry of Creation. Better than before. It is the one that has woven in it the purpose for all pain, sickness, death, and dying that God has ordained and allowed to take place so that this tapestry might make good on it all to the praise of the Beauty of God’s name.

And we, His people, His Bride, those that are “in Christ”, that are simple people Imaging and expressing the most complex of Beings, are woven into that tapestry that is Heaven and the New Creation. We’re not just going to live in it, we are part of it. Second Corinthians 5:17, in most Bibles reads: “if anyone is in Christ, he is a new creation. The old has passed away; behold, the new has come.” But that’s not what it says in the Greek. It doesn’t say “if anyone is in Christ, he is a new creation”. There is no “he is”. The Greek literally says “If anyone is in Christ: new creation!” More accurately, I think it should be translated “If anyone if in Christ, this is the new creation. he old has passed away; behold, the new has come.” I remember an old professor at Westminster named Richard Gaffin. He used to go up to students, stop them, and just say to them “you are just as resurrected now as you will ever be”. We often forget that. Yes, we will get new bodies and the penalty, power, and presence of sin will be done away with, but as far as our souls go, we are as resurrected now as we will ever be.

We are the new creation. The new tapestry. We have been woven into the fabric of this ever-increasingly redeemed world that is being flooded with the Beauty of God. The new has come in Christ. Through the Gospel. The good news of our salvation is that all that has been ugly with the world and in ourselves has been conquered. Beauty is here, and Beauty is ever increasingly filling the earth, and this Beauty is our salvation from ugliness and sin. George Marsden in his incredible biography of Jonathan Ecdwards ends the whole book with this summary of Edwards’ view of all of life and salvation. He says that

“[Edwards believed that] God’s trinitarian essence is love. God’s purpose in creating a universe in which sin is permitted must be to communicate that love to creatures. The highest or most beautiful love is sacrificial love for the undeserving. Those. . . who are given eyes to see that ineffable beauty will be enthralled by it. . . They will not be able to view Christ’s love dispassionately but rather will respond to it with their deepest affections. Truly seeing such good, they will have no choice but to love it. Glimpsing such love . . . they will be drawn from their self-centered universes. Seeing the beauty of the redemptive love of Christ as the true reality, they will love God and all that he has created.”

The Gospel, this salvation, is beautiful.

And we receive this salvation by seeing its Beauty, turning our stirred affections toward this God, and trusting that we cannot reknit our own souls but Christ has reknit them for us. And as our affections are further stirred we press into Him ever increasingly as He draws ever-nearer to us. I pray, I plead, that those in here tonight that have not done so, would trust this beautiful God to have accomplished for them what they could not do for themselves. Please, consider this story, this message. See if it is not the most beautiful thing you could ever conceive. Just for a moment, see if something in you is stirred for this God. Even if you don’t believe He exists, or that He is this particular God that I have spoken of tonight, is there something in you that at least wishes it were true? Wishes it were this way? Wishes that God did in fact arrange everything to make it all beautiful in its time? Even if you won’t admit it, if that’s true, if you did wish this were the case, don’t ignore that. You have been designed to long for the Beauty of this Gospel, this story. Don’t ignore it. Sovereign, Beautiful Father, Lover, and Lord, save people that read this.

In conclusion, I’m going to break every rule I learned in my preaching class this last semester about how to end a message and end mine tonight with a poem. But not someone else’s poem. This is a poem I wrote in one take one particular afternoon through broken tears standing on top of a hill looking out over the city of Edinburgh as I was taken over by the most beauty I’ve ever seen. Let this encourage the weary saints reading this blog post, and let it perhaps woo those that have yet taste what these words are about. You can find the poem here, or just click in the section above entitled “The Site”.

Here are the links to the full manuscript and the full audio of my presentation of this material:

Click for Manuscript Pdf

Manucscript

Click here for sermon audio

Audio

Proclaiming & Producing Beauty{11}


Sandorfi - KalfonariumThe next post after this will be the last in this series.  But today, we are finishing up the section on how we respond to Beauty.  As I stated earlier, there are two fundamental ways we respond to Beauty: we contemplate it, and we enjoy it.  But, within the enjoyment piece, I think there are four main ways to to that: we praise, participate in, proclaim, and produce Beauty.  Once more, our working definition is Beauty is the attribute of something that expresses complexity, simply.  It takes the loose strands in reality and weaves them together into a tapestry that out senses are able to perceive.

Now, let’s pick up right where we left off:

Proclaim

But the process is still not over. First we praise the thing as beautiful, then we participate in its beauty on its own terms. Thirdly, we proclaim it as beautiful. Proclamation is not the same as praise. I believe it was C.S. Lewis that something along the lines of this: joy in something is not complete until it is shared with someone else. Proclamation is the telling of the Beauty of this thing to someone else. It is sharing in this affection with someone else. Here we start seeing something about Beauty that will lead into our final response: Beauty longs to be known and spread – almost like a virus. It wants to inspire you to tell others about it, so that those people might participate in it as well. For creational Beauty this is done in many obvious ways like reviews and just telling someone else about it. For divine Beauty, this is typically referred to as preaching. Speaking of this God should be the natural response to someone who has praised and participated in the Beauty of God. It is out of the overflow of this in someone’s heart that they should speak. Not out of begrudging compulsion or sheer white-knuckled obedience. We tell others about the things we find most beautiful. Should this not also apply to the highest of all beautiful people – God?

Produce

This brings us to our last part in the process of responding to beauty. It’s very much tied to the previous one and has to do with Beauty replicating itself. God, in His love for us, calls us to respond to beauty not only by proclaiming beauty in word, but also producing beauty in deed. Produce is the last way we respond to Beauty. We are built in the Image of a God who doesn’t just desire, delight in, and display Beauty, but a God who also does Beauty. We, likewise, all have abilities to produce beauty. Not only that, our response to beauty is not complete until it has inspired us to likewise create beauty. Every musician in here knows what it’s like to be at a show or concert, seeing someone play the instrument that you play and suddenly having your mind swirling with musical ideas you want to try out when you get home. There’s an entire field of art history that tries and find the obscure pieces that inspired some of the greatest pieces of art we adore today. It works off the assumption that nothing that beautiful exists without inspiration before it. The longer I live, the more I am convinced that everyone has some creative ability in them. I don’t care how “uncreative” you think you are. You are built in the image of a Creator God! You have not only the ability, but I fully believe the responsibility as well to bring forth more beauty in this world and further participate in God’s “re-knitting” of the universe. Now this “creative” ability in all will look different in everyone, so don’t think you have to stick to conventional forms of “creativity”. Really, anything that makes beauty does this. It can be gardening, serving, counseling, or raising your kids, even. I would argue all those take a certain type of “artistic eye” to do them well. We all have it. Find it. Do it well. Do it often. And do it as a response to the Beauty that is around you in both God and Creation.

This also shows itself in the Christina life (and in our text) as holiness, or “doing good” as the author of Ecclesiastes puts it. Seeing the Beauty of God should inspire us to holy living and loving of others. Serving those around us in order to share with them and replicate the Beauty of God that we have seen.

Click for Manuscript Pdf

Manucscript

Click here for sermon audio

Audio

Baptized in Beauty{10} (Enjoy, Pt. II)


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photo credit: David Schrott

For those that have followed this series on Beauty, you will know that we have hit three major sections so far: “Why do we long for Beauty?“, “What is Beauty?“, “What things are Beautiful?“, and now we’re in the “How do we respond to this Beauty” section. I am in the process of laying out four “stages” of an appropriate and full response to Beauty. The first stage of this response is a contemplation of the Beauty.  The second is our enjoyment of it.  The first step in that process is Praising Beauty, which we talked about last time. In this post, we talk about the next step. This also happens to be my favorite part of the process of responding to Beauty. It’s when we are joined to Beauty and are swept up in its complexity and nuances. I love this feeling, I love this experience, and I loved writing and talking about it. I hope you enjoy reading it. Once again, the full manuscript and audio of the lecture I gave on this is below. We pick up right where we left off, saying that we must praise Beauty.

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Bur praising is not enough. Seeing something beautiful and calling it such does not complete the purpose for which that beauty exists. Beauty has an attractive quality. It draws you toward it at a very deep level. The next step, after acknowledging this beauty is to allow it to suck you in. I call this “Participating” with the Beauty of that thing or person.

Practically, this looks lots of different ways. With other people, it’s a drawing near to that person. Conversing with them. Viewing more of the nuances of the Image of God in them that makes them beautiful. For art, it looks like accepting the art on its own grounds and letting it draw you in in whatever way it’s asking of you. For plays and films it’s that idea of “suspension of disbelief”, where you allow yourself to forget that you technically “know” this isn’t real, and you let yourself get sucked into this beauty. Other forms of art tend to ask us to get lost in the object itself and explore its nuances. Closing your eyes during a musical piece and hearing every note; letting the words of a poem get inside of you and change the vocabulary you use to describe its own beauty or the world around you; letting distractions fade as you stare at a painting and see every stroke, every color (anyone who has seen a piece in real-life by John Singer-Sargent or Vincent VanGogh knows this feeling most definitely). Have you ever cried because of Beauty? This is participating with it. In the contemplation stage of this process you ask yourself “what is the beauty of this thing asking of me? It’s drawing me to itself, but to what end?”

But what about God? What about Divine Beauty?  This is where His Beauty shows especially brilliantly. All other forms of beauty can only draw you near to itself. God can and does actually draw you into Himself and Himself in you. We can participate with Him in a way that every other form of beauty only faintly strives for. How? Well, He takes the first step upon changing someone by actually sending his very Spirit to dwell within His people.

But God not only let’s us participate in His Beauty spiritually, but also physically.  After He draws near to us, we do what the Bible calls “abiding” in Him, where we draw near to Him through various things the Bible calls “means of grace”. These are traditionally called sacraments.  They are physical things that we participate in and by faith He meets us there. One of the clearest examples is Baptism.  It is where we are brought into union and participation with Christ in response to his faithfulness and action toward us.  Another is Communion. Just think of the word: “Co-mmunion”. It’s where we “commune” with God. That bread and wine is a symbol, but not just that. It is in those elements that we His people are actually drawn further into God to “commune” and participate with Him in His beauty. This is why Communion is such a big deal in the Bible. God kills people – even Christians – because they misuse this beautiful thing. He will let no one lightly and trivially participate and be drawn into His Beauty.

This should lead us to a “sacramental” view of life, where God is using all things to communicate Himself to us and communicate His Grace to us. Let everything: every good-tasting piece of food, every sunset, every cool breeze, every joyful moment all be moments where God communicates Himself and His grace to you so you might participate and be joined to Him in His Beauty and we further praise Him even more. Historically, the Christians that do this well have been referred to as “mystics”. They are the ones that say seemingly crazy things. Brother Lawrence was a 17th century monk and he said: “I have at times had such delicious thoughts on the Lord I am ashamed to mention them.” John Owen, my favorite Puritan, says

O to behold the glory of Christ…Herein would I live; herein would I die; herein would I dwell in my thoughts and affections…until all things below become unto me a dead and deformed thing, no way suitable for affectionate embraces.

Oh that we longed in that way for God. There is a participation in the Glory, Beauty, Majesty, Goodness, and Love of God that is at hand for those who believe and far for those who don’t. Please, I beg of you, if you are not a believer, seek the Beauty of God, for it’s only suitable response is to be drawn into into and know his intimacy in this way. He, the fountain of all good things, the One for Whom your soul was made, does not disappoint those who seek to know Him. Participate in Beauty.

Click for Manuscript Pdf

Manucscript

Click here for sermon audio

Audio

Controversy, Controversy, Controversy at GoingToSeminary.com


old lady

Update: The two posts mentioned in this article are now up. “Letting Seminary Doctrinally Change You” and “Seminaries & the Nature of Truth“.

Yep, it’s a double-post sort of day.  (let’s just say I’m making up for Labor Day.)  But this is a personal one.  I’m asking for some prayer.

At publication time for this post, the site GoingToSeminary.com is currently changing servers, so it’s down.  It was just bought by the somewhat Lutheran and fully online Rockbridge Seminary, sold by my good friend (and former campus minister) Ryan Burns of Design Simple.

As some of you know, I am a Contributor for the site, and my articles have tended to be pretty weighty.  I don’t know why.  It hasn’t been purposeful.  I suppose when I think of seminary it tugs at my urgent pastoral heart more than the light, fun, twentysomething heart; and this has been evident in the posts.  From what I can tell, my last article “Realizing Seminary’s Not For You” has received more comments than any other single article that I can find on the site, and those comments were fiery.  I got blasted from every side (and defended by many – thank you all, by the way).  A couple of people even compared me to an unfaithful Israelite who saw the giants in the Promised Land and got scared.  Another, in light of my severe disappointment in Westminster Theological Seminary as an institution, said that apparently I don’t know good doctrine when I see it.  In short, it caused some controversy.  I really try not to seek such controversy, and I never thought that post would spurn such heated discussion.

But –

Tomorrow’s another story.  Tomorrow my new article is going live on the site and I’m fairly sure this one will ruffle some feathers.  In fact, I’m shocked Rockbridge went ahead and decided to post it.  Kudos to them.  It will be very easy for this article to be misunderstood on both sides: those that think I go too far, and those that think I don’t go as far as I am in fact trying to go.

The article is a discussion of how to let seminary doctrinally change you.  To do this, I very consciously employ postmodern thought into my own thinking and advocate others do so as well.  It’s very touchy and I am not wholly confident that I phrased myself as articulately as a more experienced writer may have been able to.  I guess we’ll see over the next couple of days.

But, I’m actually not as concerned with this article as I am with the follow-up article I am about half-way through writing.  In the first article I lay out the responsibilities for the seminarian in this respect; in this second one, I talk about the responsibilities of the healthy seminary institution.  And in doing so I am directly taking Westminster to task for how they have abandoned the principles I lay out in this first article.  I’m sort of doubting Rockbridge would run it on the site, but who knows?  Westminster’s a competing institution and Rockbridge is marketing themselves as a seminary for the 21st century, so we’ll see.

All that to say, look for my article tomorrow at GoingToSeminary.com, and please pray for me if you could.  I’m still young and arrogant, and I need the spiritual support.  I’ll also link to the article tomorrow.  Until then . . .

My Official Review of “Fearless” by Max Lucado at Reform & Revive


Look at that face.  That’s Max Lucado.  And I just reviewed his new book Fearless.  You can find the review here at Reform & Revive.  Some of you may have read my “Review Preview” and now are wondering why on earth I’m putting up this little post, just to send people somewhere else for the review.

Well, that “Review Preview” got a lot of hits due to search engine traffic.  That means that this site will appear sooner in a search for the book than will Reform & Revive.  But, seeing as reviews of this sort are much more in line with the mission and purpose of R&R, rather than that of this bog, I thought it was more appropriately posted there, and not on this blog.  So, I’m putting up this post on the off chance someone meanders here due to a search engine.  So, if you have fallen victim to such an off-chance, you can find the review at my webzine, Reform & Revive, found at the link below:

http://reformandrevive.com/2009/09/08/review-fearless-by-max-lucado/

By the way, for those that have stopped by for the next part of my Beauty series, you will find the next installment here tomorrow.  Probably.  Well, technically, my review of John Navone’s book Toward a Theology of Beauty counted as the “next installment”, but I’ll write another tomorrow.

Review: John Navone’s “Toward a Theology of Beauty”


In my attempt at writing shorter and more frequent posts (rather than feeling the burden to produce daily meaty posts), I thought I’d put up this little review of a little book (91 pages) I just finished called Toward a Theology of Beauty by John Navone (1996, The Liturgical Press).  I had originally started reading it for the Beauty message I gave, but I never finished it.  As time went by, though, the things I had read in this book began creeping back into my thoughts, so I decided to finish it, and let me tell you, that was a good call.

This is an incredible book. I’m still in awe of it. It seizes your soul and takes it to the highest realms of the mind and heart of the Beautiful Triune God. I have almost an entire journal filled with notes I have taken form this book.  I will look over these notes often for years to come, to let myself get swept away by the ideas present here.  Navone doesn’t have progressive outline, so it’s difficult to lay out exactly everything he talks about.  The best thing one could do is shoot over to the Amazon.com page for the book and “Look inside” to peer at the Table of Contents for his topics.  Suffice it to say, the book is theologically comprehensive.  It doesn’t answer many of the more practical questions we may have about art, human beauty, and such, but it does help in a much greater understanding of the more ethereal and abstract realities of Beauty, especially as it originates in and delights God Himself.

I guess my only critique is a common one I had with most things I read during my preparation.  It assumes the validity, and authority of ancient Greek philosophy, especially the distinction between the True, the Good, and the Beautiful.  He uses this Hellenistic concept throughout.  Many things I read used this “trinitarian” framework to shape and organize their thoughts.  I don’t know how valid this is and I would argue this limits us in many ways.  but this is minor, and doesn’t really take away from the wonder and awe of this book.

Navone is a Catholic theologian, and if I learned one thing from reading this book, it’s that Catholics understand Beauty in a way that only 2,000 years of thought and reflection can provide. We Protestants can learn a lot from our Catholic brothers and sisters. Heck, after reading this, I’m practically Catholic now myself.

Navone’s writing is beautiful, his thoughts profound, and theology rich. I highly recommend this book to anyone looking to increase their worship of a Beautiful Transcendent God.

Ah, the Beauty{6} of Art


Caravaggio - NarcissusThis is the next installment in the Beauty series (for the complete series, click here).  This is based on the manuscript I wrote for a message I gave at Epiphany Fellowship in Philadelphia (links to both the manuscript and the audio are at the bottom).  We’ve gone through a lot so far, including a discussion of why we long for Beauty, a definition of Beauty, and how science and nature are beautiful.  This series has received great feedback from people (and it’s only about half done!).  So feel free to jump in and comment and keep the discussion going.  Today’s post is on the beauty of Art.

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Humanity’s creations are beautiful.This is where we get to talk about art.

For some reason (I have no idea why) this was actually the very last section I worked on.Whether that means it’s a lot better or a lot worse, I don’t know.Anyway, art is a really tough thing to talk about.Its a huge topic that everyone has an opinion on, and as time has gone on, the conventions of art and what it is have broken down and definitions have broadened almost to the point of not really being definitions at all.Not only this, but you also seem to have people forgetting some very important things that we all must be reminded of.

First off, we are too quick to call God the “Supreme Artist”.That’s taking a description of humans and describing God with it.We’re right in starting with him in trying to understand art, but seeing Him as the “Supreme Artist” generally makes us picture in our minds the type of artistry we like best, and then begin thinking that God values that kind the most.This ends up being a bottom-up kind of description of art rather than top-down.Before God is Artist, He is a Creator, so we must start thinking of art creative-ly.This means that the way God is an artist is by making things that are not him and weren’t around before.So when I refer to God as Artist, that’s what I have in mind.

Secondly, we must keep in mind that God Himself was the first abstract artist.I kept reading all these books and articles written by Christians about art and so many of them seemed to not have room in their “theologies of art” for the abstract.The opposite of “abstract” art is “representational” art – art that “re-presents” something we know exists.When God did His artistry, it was all abstract.There was nothing to “re-present”So that being the case, I can’t think that God isn’t glorified in even the most abstract of art.There may even be an argument that abstract art is closer to the heart of God than representational.I’m not making that argument, but someone could.

Thirdly, as most Christians recognize, we create things because God does.In the first passage in the Bible that talks about people being made in the “Image of God” in Genesis 1:27, the logical question that follows is: what exactly does that mean?Now, theologians and philosophers have argued about this for thousands of years, and I’m not going to try and finish that fight right now, but I will say that it’s interesting that at this particular time in Scripture that this verse shows up, there’s only one thing we know about this God that humans are apparently in the “image of”: that He has the desire and ability to make things.I imagine that’s where we get our desire and ability.As G.K. Chesterton points out in his book “The Everlasting Man”, whatever role evolution may have played in the development of this world, it can’t by itself explain art.You don’t see monkeys in caves making bad art and humans now making good art.There’s something about art that reflects what makes us unique among all created things.

So when we do create and we do make, what does this have to do with beauty?Everything.I really do believe that art, like science, is a necessary endeavor in furthering God’s plan in History.God’s creation merely points to God’s Beauty.It doesn’t make beauty itself.Humans, on the other hand, actually make beauty and play an integral part in God “making all things beautiful in their time“.Let’s go back to our definition of “Beauty”:Complexity expressed simply – many complex strands woven into a sensually perceived simple tapestry.  The more complexity of “strands” that are represented in a piece of art, the more beautiful it is.And remember- different people, due to many factors, will find and feel different “strands” running through different pieces of art, leading to different personal aesthetic standards for each of us.

So imagine every strand in the universe is there before an artist preparing to do a piece.You have suffering over here, hope here, joy here, God, evil, life, humanity, death, birth, redemption, pain – all there before the artist.In art, the artist grabs as many of those strands as they can and crams and weaves them into the piece.And the more there are, the more beautiful it is.That’s why many people don’t like Postmodern art.There’s no complexity.It’s too simple and says nothing.There are not enough strands in it to strike the heart of a person so they can actually call it beautiful.A complexity of ideas makes art beautiful.In the Preface to The Picture of Dorian Gray, Oscar Wilde writes out his thoughts on Beauty and art.He writes: “It is the spectator, and not life, that art really mirrors.Diversity of opinion about a work of art shows that the work is new, complex, and vital.When critics disagree, the artist is in accord with himself.”Though I disagree with Wilde on some of what he’s saying, nevertheless he is noticing that different strands in any piece should resonate with different people.Some people will be offended.Others will praise it.It’s just the way beautiful things are. After all, it’s how God and the Gospel are.

I’ll end this oh-too-brief section on art with a few comments on the distinction between “Christian” art and “secular” art.As Phil Ryken, just down the street at Tenth Pres writes in his book Art for God’s Sake: Bad Christian art “ultimately dishonors God because it is not in keeping with the truth and beauty of His character.It also undermines the church’s gospel message of salvation in Christ.”How? Well, the kind of modern art that most Christians scoff at is art that is completely void of goodness, light, and truth.But Christian art tends to do the same thing by being void of other very real things in this world: depravity, pain, and sin.When our art shies away from these things, in effect, we’re avoiding showing the world what they need salvation from.Jesus didn’t come to save some cute coffee mug or bumper sticker kind of world.He came and suffered, bled, and died an ugly death that we celebrate as the most beautiful event in all of history.We must make room in our art to explore the darkness and pain of this world so we can show them that Christ can and does engage and enter into brokenness to see it redeemed.

To conclude, recall what I said a couple of posts ago on the structure and nature of history and time?  History is not the story of the present hurtling through time towards some future endpoint we call “heaven”.  Rather, it is the beauty of that future world invading the present, even as we sit and read this.  If “Beauty” is the end goal for which God is making all things in their time (Ecclesiastes 3:11), then whatever floods the world with Beauty is actually furthering this process of redemption.  Artists, both saved and secular, are actually missionaries of sorts, as they help reweave the fabric of the universe with the beauty of their creations.

Are you all starting to see why we need artists?Good artists doing good and beautiful work; and not trite, kitschy, cute things that keep us away from the real world out of fear that we might “catch it” or something?A creation always reveals something about its creator.If you are a Christian reading this right now, may I urge you to show the world through your creations that you have been saved by a Gospel that makes you care about excellence engaging darkness, beauty engaging filth, order engaging chaos, and redemption conquering sin?Let our art, our creations, speak of a beautiful work that a beautiful God has done in us, whether or not it is an explicitly “religious” piece.

Art is beautiful, and necessary for the redemption of this world.

Resources for this series:

Max Lucado’s “Fearless” and my heart (a review preview)


I’m a book reviewer for Thomas Nelson Publishers.  A few weeks ago I received a pre-publication copy of Max Lucado‘s upcoming book “Fearless“.  I hate so much about Christian “culture”, especially its commercialism, cheesy cliches, seemingly naive treatment of the fallenness of the world, and an inability to know and apply a deep understanding of the Gospel.  For years, admittedly, Lucado has stood in my mind as a representative of much of this.  I have, with little engagement with his material (other than his children’s books), tagged him as such a man; and in a certain way, he is the cheesy, cliche-ridden, mass appealing writer I have assumed (as is evidenced by this official site for the book), and the official trailer found below:

Let’s just say it’s been a big change going from Francis Turretin, John Calvin, and Herman Bavinck to Max Lucado in a matter of months.  Anyone that knows me knows that it has been a long journey through many frustrations with mainline evangelical culture to teach me how to love the Bride of Christ.  And I’m still learning.  I have belittled her, talked her down, mocked her, and ridiculed her in the most shameful of ways.

And this book has been a healing process for me.  Not giving away too much of my upcoming review when the book’s released, I just want to say that this book is amazing.  Save for the first few chapters, I have been shown that even amidst bad jokes, inadequate metaphors, “simple” writing, and an over-commercialized release (including shirts, calendars, mugs, study guides, DVDs, children’s books, teaching curricula), there can be poetry, depth, a real exploration of the human condition, and beautiful articulations and applications of the deepest, most precious truths of the Gospel.  Lucado has shocked me.  And taught me.  And helped me.  And stirred me for this God, His Gospel, and all that it supplies us.  Though I may be going against the fine print in my publisher’s agreement in doing so, I want to share with you all my favorite few paragraphs from the book so far:

A calmer death would have sufficed.  A single drop of blood could have redeemed humankind.  Shed his blood, silence his breath, still his pulse, but be quick about it.  Plunge a sword into his heart.  Take a dagger to his neck.  Did the atonement for sin demand six hours of violence?

No, but his triumph over sadism did.  Jesus once and for all displayed his authority over savagery.  Evil may have her moments, but they will be brief.  Satan unleashed his meanest demons on God’s Son.  He tortured every nerve ending and inflicted every misery.  Yet the master of death could not destroy the Lord of life.  Heaven’s best took hell’s worst and turned it into hope.

I pray God spares you such evil.  May he grant [you] long life and peaceful passage . . .. But if he doesn’t, if you “have been given not only the privilege of trusting in Christ but also the privilege if suffering for him” (Phil. 1:29 NLT), remember, God wastes no pain.

Amazing.  Look for my review September 8.  In the meantime, you can order the book here, and read some of the ebook here.

Nature, Science, and the Structure of Time |Beauty{4}


Van Gogh - Wheat Field with Cloud-smallerWe’ve been doing a little series here at the blog on Beauty. I recently gave a talk on it and I’m taking excerpts of the full manuscript, the fruit of several months of labor, and posting them online for all to enjoy and engage with. In this post, I break some of the order in the original manuscript to talk about both space and time. My point is simple: nature and history are beautiful. I’m applying a definition of beauty I discuss here, that says that Beauty is the attribute of something that expresses complexity, simply. To help explain that, I’ve been using the imagery of complexity represented as the strands that make up everything in the universe. Beauty is when these strands are woven together into a tapestry we can perceive with our senses (physical or spiritual). We’ve already discussed how God Himself is beautiful. Next week we’ll talk about the beauty of humans and then art. Should be good. The links to the full manuscript and the message audio are at the bottom. [Bold: things I had time to say in the talk// Regular: things I didn’t have time for]

God’s creation is beautiful.

The Bible clearly tells us in several places that nature proclaims God’s Glory, and that many of God’s invisible attributes are made plain to us by Creation. Thomas Aquinas, in his book Divine Names, in the section on God being called “Beauty” says that divine beauty is the motive for God creating all of this. God loves his own divine beauty so much that he wants to share it as much as possible. So, he creates creatures and mysteriously communicates this likeness of Beauty to them. God intends everything in creation to become beautiful in the fullness of His divine Beauty so, just like he has placed a deposit of eternity into our hearts, He has placed a deposit of that beauty in creation. Modern science was birthed out of an awe for this beauty. People looked out on the earth and saw that it worked on ordered processes, and these people determined to find out what those laws and processes were. Science and medicine is humanity accomplishing what theologians call the “Dominion Mandate” – when God commands the first humans to “subdue the earth”. Science is the process of looking deeply into the tapestry of the created world and seeing what strands comprise it. They get to stare into the inner workings of the beauty of God in this world. It’s sad that the Church has so divorced itself from this endeavor of worship. The comedian Steve Martin is also a novelist and playwright. He wrote one of my favorite plays called “Picasso at the Lapin Agile“. The premise is pretty simple: what would happen if Pablo Picasso, five years before he painted his definitive painting Les Desmoiselles d’Avignon met a young scientist named Albert Einstein in a small cafe a year before he published a little book called “The Theory of Relativity”? It’s one of the smartest and funniest plays I’ve ever seen. There’s a scene about halfway through where Picasso lays out his creative process and then looks at Einstein and says, “But what do you know about it anyway? You’re just a scientist. You just want theories”. Einstein replies with, “Yes, but like you, the theories must be beautiful. Do you know why the sun doesn’t revolve around the earth? Because the idea is not beautiful!” He further explains this and then Picasso says, “So you bring a beautiful idea into being.” God’s creation, and the laws that run it, are beautiful.

History is beautiful.

As our text says, History is the context in which all things are being made beautiful. This is where the Beauty of God, His creation, humans, and their creations all collide and interact in order to bring about this beauty and peace in the world. It is the ultimate tapestry in which all these strands are being woven together. One of the best understandings of history I’ve ever heard came from Harold Best, dean of Wheaton College’s Conservatory of Music and author of the incredible book that everyone should read before they die “Unceasing Worship” in a message he gave called “Continuous Worship: Is “Worship” the Only Word for Worship?” In it, he points out that the Eastern mind sees time as circular. Life repeats itself and moves in consistent cycles. The Western mind, on the other hand, sees time as linear, with a definite beginning and a definite ending. Now most of us have heard this before and then were told the various reasons why the Western idea was right.

Best, in the message, and our text tonight, both point out how our modern Western bias is misguided. Our text tells us some of the ingredients God uses to make all things beautiful in their time. And God employs these same list of things over and over and over again through time. In fact, one of the consistent themes of the book of Ecclesiastes is the vain repetitions and cycles that seem to make up life. In Best’s message, he points out that time is in fact neither linear nor circular. It’s helical – in the shape of helix. That shape, so essential to the creation and sustenance of life is actually woven into time. Life moves in circularly as it linearly moves through time. Assuming that’s true, let’s apply our definition of Beauty and see what happens. History is the story of God liberating all of creation from its bondage to decay and ugliness into participation in the glory and Beauty of God. If this is true, then every moment that goes by means the further Beautifying of the world. Imagine, then, time as moving in this circular fashion towards the glory and Beauty of God, the earlier parts being made of less woven strands and slowly, over the years, through time, God employs people, situations, art, Jesus, and the Cross to weave these strands ever and ever more securely together into the Image of Heaven.

What this means then is that time isn’t merely moving forward toward some point in the future we call “Heaven” or “the end of time”, Heaven is actually invading the present as we speak, as we sit here, as art is made, as people are seen as beautiful – we are actually ushering in heaven on earth as those strands are pulled tighter and tighter together to form this epic tapestry of history. In Marilynne Robinson’s book Gilead, she writes from the perspective of an old Congregationalist preacher about to die. This man, reflecting on life and heaven says this as he thinks about this very topic we’re talking about: “I feel sometimes as if I were a child who opens its eyes on the world once and sees amazing things it will never know names for and then has to close his eyes again. I know this is all mere apparition compared to what awaits us, but it is only lovelier for that. There is human beauty in it. And I can’t believe that, when we have all been changed and put on incorruptibility, we will forget our fantastic condition of mortality and impermanence, the great bright dream of procreating and perishing that meant the whole world to us. In eternity this world will be Troy, I believe, and all that passed here will be the epic of the universe, the ballad they sing in the streets. Because I don’t imagine any reality putting this one in the shade entirely, and I think piety {and a love for God has done on this earth] forbids me to try.” Jonathan Edwards described history flowing into the Beauty and Glory of Heaven like this: As time moves forward now and on through eternity, God’s people are ever steadily rising higher and higher into the Glory of God, perhaps with an increasing velocity towards a height to which they will never attain. This history is beautiful. Don’t waste it on trivial, lower, ugly things.

Click for Manuscript Pdf

Manucscript

Click here for sermon audio

Audio

Derek Webb Discusses “Stockholm Syndrome” in Patrol Magazine


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Here you can read a really informative interview with Derek Webb concerning the Church, culture, his creative process, and of course, his new album “Stockholm Syndrome”.

Patrol Magazine is perhaps my favorite site I read, and this interview furthers secures its place in my affections. A favorite and very enlightening paragraph in the interview reads:

Stockholm Syndrome is the sound of me using the resources I have to create a barricade between my own community and the people I love more than anybody else in my life, who don’t understand (nor do I) the major disconnect between the way that Jesus loved people, and the way that Jesus’ followers love people. People have no problem with Jesus, this man who loved others so radically that he was killed for it. But many who now follow Jesus love others so poorly, and they seem more like those in the Biblical account who Jesus reserved the harshest language for. I’m as confused about that as my friends are. But it was time for me, personally, to draw a line and try to absorb for them, to join them on the line, absorbing this hatred that seems directed at them. I just couldn’t go another year in my personal life and not make some of these statements, simply because some of my best friends have been on the receiving end of that hatred.

A commenter on a previous post I wrote on this album let me know from a personal conversation he had with Webb that he does not in fact see himself as a prophet.  Just an artist making art about what the world looks like to him.  Derek says:

Ultimately, my job is to look at the world and tell people what I see—and I literally see it as part of my job, to agitate people. I’m good at it . . . Controversy—it’s not something that I’ve intentionally manufactured. I don’t look for opportunities to make it happen. As a communicator, though, I would be stupid to not take advantage of every opportunity.

I must say, after this interview, I really do have a much more understanding picture of Derek Webb in my head.  I see more of his heart, and as I’ve really worn out the album, I’m starting to “get it” more.

So, read the interview, buy the album, and begin to see the world through the eyes of Derek Webb.  Let me know what you think.

The Triune God is Beauty{3}


Caravaggio - The Conversion of Saint Paul 3bThis is the third part in what will end up being a fairly long and comprehensive series on Beauty. It’s based on a recent message I gave on the topic. You can find the full audio and full manuscript below. [Bold: things I had time to say // Regular: things I didn’t have time for] So far, we’ve seen why we long for Beauty, we’ve discussed what it is, now let’s apply this definition.

What is beautiful?

First and foremost, the Triune God is beautiful.

He is Three Persons (complexity) existing in One Deity (simplicity). Just think of that word God. That is the human term that he has chosen to be acceptable for us to call him. Those three letters contain the simplest expression of the Sovereign Creator God of the Universe. Most old school systematic theologies are structured the same basic way: the first actual section of theology is reserved for “the Doctrine of God”, and the first thing you learn about God is his “unknowability”. This is the fact that God is infinite, inexhaustible, holy, and completely separate from all things we could ever conceive or understand. We cannot know him. Any pursuit we go on to know him will always be futile. Just the fact that the Infinite God has revealed anything to us in a way that we can actually understand is beauty itself. He is the perfect and complete tapestry within which all things are woven together in the first place. He is peace. He is shalom. He is Beauty. But let’s look at His distinct persons as well.

God the Father is beautiful.

In Exodus 3, Moses is talking to this God who is showing Himself through a burning bush and he asks this God “Who are you?” The huge transcendent God simply says “I am that I am”. So, in the Bible and in the creation, God the Father reveals Himself clearly enough that we can know who we should worship. Think about it. The infinite God who is outside of time and space uses finite things within time and space to communicate himself. This Infinite Head of the Godhead reveals the Infinite strands of who He is in one of the simplest of tapestries: “I AM”. This is beautiful.

God the Holy Spirit is beautiful.

1 Corinthians 2 says, “As it is written, ‘what no eye has seen, nor ear heard, nor the heart of man imagined, what God has prepared for those who love him’” We often stop there. We talk about all those infinite promises God has made that no one has seen and no one can know. But this isn’t the case. Read on. Paul writes that all these things that no one has seen, all these infinite and glorious promises that would blow our minds “God has revealed to us through the Spirit. For the Spirit searches everything, even the depths of God. For who knows a person’s thoughts except the spirit of that person, which is in him? So also no one comprehends the thoughts of God except the Spirit of God. Now we have received not the spirit of the world, but the Spirit who is from God, that we might understand the things freely given us by God.” The Infinite complex Spirit of the Infinite complex God dwells within finite simple believers and what’s more, he communicates the previously unspoken thoughts of God Himself. So through the mediator of the Holy Spirit, God weaves his thoughts into the tapestry of our souls.

God the Son is beautiful.

Of course, we go to John 1 for this: “In the beginning was the Word and the Word was with God and the Word was God. He was in the beginning with God. All things were made through him, and without him was not any thing made that was made. . . And the Word became flesh and dwelt among us, and we have seen his glory, glory as of the only Son from the Father, full of grace and truth. . . For the law was given through Moses; grace and truth came through Jesus Christ. No one has ever seen God; the only God, who is at the Father’s side, he has made him known.” He is the ultimate earthly reflection of beauty. He is the living word of God. He is God of God in the flesh of man. The ultimate, infinite, precious, all-consuming, King of Kings and Lord of Lords takes on the form of a child born in a manger. Oh the humility. Oh the beauty in this act we call the Incarnation, where the infinite God takes on finite humanity.

Though much more could be said (and maybe should be) I feel I’ll stop there. This is an all too-brief picture of why/how God is beautiful, but this is because most people acknowledge that if there is a God, He is in fact what we would think of as beautiful. Otherwise He wouldn’t be worthy to worship. Most would agree with what I’ve written if in fact this was the God that existed. We’ll discuss that more next week. On Wednesday, though, we’ll talk about worship, nature, science and how all those things connect. It’s one of my favorite sections. Here are the links I mentioned earlier:

Click for Manuscript Pdf

Manucscript

Click here for sermon audio

Audio

Why We Long (Setting the Stage) [Eccl.2+3] |Beauty{1}


Scotland-Summer 2006-Edinburgh-Calton Hill-040This is the first part in my series going through the different ideas in the manuscript I wrote for a recent message I gave at Epiphany Fellowship’s monthly ministry “First Friday Fundamentals”. Upcoming topics include what Beauty is, how science reveals Beauty, why we find some things/people unattractive, and the nature of physical beauty. This first part lays out a theological and psychological understanding for why we long for beauty in the first place and how even that longing can get derailed because of our fallenness, finitude, and sinfulness. Also, I made a Web Album of pictures I took from Calton Hill.  They can never do it justice, and they look really anticlimactic, I know, but just trust me, God met me there.  I also linked relevant references in the manuscript to their appropriate pictures.

[Bold: things I had time to say // Regular: things I didn’t have time for]

___________________

In the Summer of 2006 I spent some time studying Creative Writing abroad at the Glasgow School of Art in Glasgow, Scotland. It was amazing in many ways. It was the first time I’d ever been out of the country. I saw things, met people, and went places I only could have dreamt of seeing, meeting, or going. One particularly memorable highlight: I had my first beer ever in a Scottish pub, July 4th, during the World Cup. The third week or so into the program, we had a free weekend so I decided to spend the weekend in Scotland’s capitol, Edinburgh. On Sunday I found a church and attended this amazing service. Afterwards, I just started walking around the city. I ended up following my map to this place called “Calton Hill. I walked in the shade of the tress around the base of the hill and found these little stairs to my right. I followed those stairs and as I reached the top, the trees broke just right, and the light fell so precisely, and I turned at just the right angle that I suddenly found myself standing above the entire city of Edinburgh looking out for miles. As I turned around 360 degrees, I could see the ocean on one side, the city on the other, and the giant hill to my left a mile or so away called Arthur’s seat that they say figures into the King Arthur legend.  [Click Here for the Web Album]

I began to cry almost immediately. One thing you’ll realize about me over time: I’m either the most rational romantic or the most romantic rational. To the charismatics in an old church of mine in Richmond I was the cold, dead theologian. To the seminarians up here I was the feely, emotional charismatic. They’re probably both right. But regardless, I broke down on top of this hill because I was staring at the most beauty I’ve ever seen. I felt small, I felt sinful, I felt worshipful, and I felt the presence of God more tangibly in those few hours I spent on top of that hill than at any other moment of my life. At the very same time I felt the most complexity and simplicity of emotions. I was so at peace, yet I wanted to scream.

So why is it that beauty draws those sorts of things from us? What is it anyway? How do we know what is beautiful and how to respond to it? We live in a world of such paradox. Pain and ugliness are the primary soundtrack of our lives, it seems, and yet most of us don’t live in a constant state of despair. We seem to live off those little oases of beauty in life. So how do we understand what beauty is and how it works in the midst of the seeming vanity of all life? Well, there was another man in history that pondered these things and recorded them in the book of the Bible we know as “Ecclesiastes”. He looked out on his own existence and the nature of life and saw it for what it was: full of useless strivings and the vain repetitions of repeated history as all reality just keeps turning, turning, turning. We know him today by the Hebrew word for “Speaker” or “Preacher” and that is what he does. In the text we’ll be in he tells us about life and beauty and how these things relate.

The Text (Ecclesiastes 2:22-3:15)

Read 2:22-24 | verse 24, as the Hebrew literally says it, and how it can legitimately be translated, reads: Nothing is better unto mankind than that he should eat and drink and see his soul as beautiful in the midst of his toil.

Read 2:25-26 | The “toil and striving of the heart” the writer talks about here is the work that we do in light of our deepest desires. It’s the pursuits to fulfill all we want and all we long for. It is those pursuits that can never be accomplished, those longings that can never be fulfilled. It’s the deepest drives within us that motivate everything we do. The writer says that these desires, these strivings can never be satisfied. We can try all we want, but no matter what, that pain and vanity will always be the constant state of our lives. But why? Why is it so vain to work so hard at this?

Read 3:1-8 | You see, it’s vain because all things already have their proper predetermined season. Everything you work to accomplish will only come in it’s appointed season for you, and everything you work to avoid will always come in its appointed season for you. That is why our toil is all in vain. But yet we strive anyway. So why do we still strive in this life? The Preacher asks this very same question: What gain has the worker from his toil? He then tells us that he thinks that God has given him a special perspective to give us some insight on why we do (and should do) the strivings that we do. He says: I have seen the business that God has given to the children of man to be busy with. He says that he thinks he sees it. He has looked out over history and life and he thinks he sees why it is we strive. Though it’s in vain, God still births something in us to toil. The Preacher has seen the proper striving that God has given humans to do. So what is it? Well, his answer to that is our main text tonight.

Read 3:9-15 | The writer says I have seen the business that God has given to the children of man to be busy with. He has made everything beautiful in its time. Also, he has put eternity into man’s heart, yet so that he cannot find out what God has done from beginning to end. Does anyone else see how weird this sounds? The writer says this is the business of man and then goes on to talk about God doing things and what we can’t do. So what’s going on? This is what I think the writer is saying: God has a picture of what a good and beautiful world looks like and He is forming this world into that picture as he is making all things beautiful. This beautiful world is an Infinite, eternal one. So, He has put eternity into our hearts, or in other words, put a deposit of this eternal beautiful world in our hearts, causing us to long for it. This seems to be so we can recognize the beauty that God is making while not seeing the exact mechanisms that God is using to do it. It forces us to enjoy what God is doing while still having to trust Him rather than trying to predict Him. Apparently the business of man, then, is to see, recognize, and enjoy the beauty God is doing. But, in our sinfulness, we don’t like not being able to find out what God is doing from the beginning to the end, so we like to form our own pictures in our heads of what a good and beautiful world looks like. So every action of every human being is to make the world out there match the world in their head. The task of the Christian, then, is to make the world they want in their head match the world the God has placed a longing for in their heart. The rest of our text describes what this looks like, so we’ll get to that later when we talk about how we respond to beauty. But let’s first get down a definition of Beauty.

And that, my friends, is for next time . . . Here are the audio and manuscript links, as promised:

Click for Manuscript Pdf

Manucscript

Click here for sermon audio

Audio

Eternity in Our Hearts: The God of Beauty, the Beauty of God


Sargent - Madame Errazuriz-smallThis message was seven months in the making, and this past Friday I finally delivered it.  So, as promised, I’m posting both the audio and the manuscript here.  You can also find a general outline on my Sermon site, and you can also find it at my Podcast.

Click here for sermon audio

Click for Audio

Click for Manuscript Pdf

Click for FULL Manuscript

This is the message I gave at Epiphany Fellowship. The topic was Beauty. The attached manuscript is the full manuscript. It is 43 pages long and contains far more information than I was able to give in a 40 minute message. It includes an appendix where every form of every word in the Greek and Hebrew translated as “Beauty” or “Beautiful” in the English Standard Version of the Bible is ordered by frequency and includes the literal meanings and lexical range of each word.

I really cannot stress how much more is in the manuscript than was preached.  Every section has huge amounts of thought and prayer in it that was not able to be included in the final message.  That’s why throughout the next week or more, I’ll be blogging about every section of this manuscript.  Each post will focus and discuss the fuller version of each section.  If it gets to be too much I’ll spread it out as need be, but we’ll see.  This is where your thoughts and insights will be so helpful and needed, but if you have a question now, don’t feel like you have to wait for that blog post to come to ask.  Engage with any and everything now.

I hope this blesses all of you as much as it did me.  The feedback that evening was more than I knew how to handle and perhaps I’m still processing it.  Thank you all for your grace and affirmation.  For those that came out, I thank you. I very much enjoyed both preparing and delivering this message, and I look forward to further chances to do so.  If you’re interested in giving me such a chance, feel free to use the contact email on the sidebar to the right (or just click here).

Enjoy, and feel free to let me know what you think, and please at least look through some of the manuscript.  Until next time . . .

One small final note: on most every site and post I’ve used to discuss this message I’ve used the attached piece of art.  It is a piece called “Madame Erraruriz” and it is by my favorite American painter John Singer Sargent.  I got to see this painting in an exhibit of his at the Virginia Museum of Fine Arts and ever since seeing the brushstrokes in this simple painting and seeing the nuances and the subtleties that don’t quite come across from this digital shot, I have long found it to be one of the most beautiful paintings I’ve ever seen.  It is for that reason I have chosen it as the picture that has constantly been up for all these posts.  A few years back I even wrote a poem based on the piece called “Extended Engagement”.  I ended up writing two versions, one less structured than the other to better mirror the feel of the piece, but on this blog you can read both Version 1 and Version 2.  Let me know which you prefer.